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In the 1950s, a group of brash young British writers coalesced into a controversial poetic and critical movement known simply as the Movement. In the 1980s, a group of brash young American writers coalesced into an equally controversial poetic and critical movement known as New Formalism. Especially since the British coalition known as The Movement was short-lived, surviving less than a decade, few people could have predicted that it would have an impact that was both far-reaching and long-lasting. This groundbreaking new study shows that the Movement lives on, in a very real way, in New Formalist poetics and poetry.…mehr
In the 1950s, a group of brash young British writers coalesced into a controversial poetic and critical movement known simply as the Movement. In the 1980s, a group of brash young American writers coalesced into an equally controversial poetic and critical movement known as New Formalism. Especially since the British coalition known as The Movement was short-lived, surviving less than a decade, few people could have predicted that it would have an impact that was both far-reaching and long-lasting. This groundbreaking new study shows that the Movement lives on, in a very real way, in New Formalist poetics and poetry.
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Autorenporträt
Theresa Malphrus Welford, who grew up in a small, working-class town near Savannah, Georgia, received a PhD in English Literature from the University of Essex in 2006. A two-time nominee for the Pushcart Prize, Theresa has published poetry, creative nonfiction, book chapters, and scholarly articles, as well as two edited collections of poetry: The Paradelle and The Cento (both published by Red Hen Press). She is currently working on two textbooks and a number of picture-book manuscripts. Theresa and her husband, Mark Welford, happily share their home in Statesboro, Georgia, with countless rescued animals (cats and dogs).
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