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Opening a dialogue between ecocriticism and transatlantic studies, this collection shows how the two fields inform, complement, and complicate each other. The editors situate the volume in its critical contexts by providing a detailed literary and historical overview of nineteenth-century transatlantic socio-environmental issues involving such topics as the contemporary fur and timber trades, colonialism and agricultural "improvement", literary discourses on conservation, and the consequences of industrial capitalism, urbanization, and urban environmental activism.
Opening a dialogue between ecocriticism and transatlantic studies, this collection shows how the two fields inform, complement, and complicate each other. The editors situate the volume in its critical contexts by providing a detailed literary and historical overview of nineteenth-century transatlantic socio-environmental issues involving such topics as the contemporary fur and timber trades, colonialism and agricultural "improvement", literary discourses on conservation, and the consequences of industrial capitalism, urbanization, and urban environmental activism.
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Autorenporträt
Kevin Hutchings is Professor of English at the University of Northern British Columbia, Canada. John Miller is Senior Lecturer in Nineteenth-Century Literature at the University of Sheffield, UK.
Inhaltsangabe
Contents Acknowledgments Introduction: Nineteenth-Century Transatlantic Literary Ecologies, Kevin Hutchings and John Miller Chapter 1: The Poetry and Agricultural Politics of Transatlantic Radicalism, 1789-93: Joel Barlow's The Hasty Pudding, Michael Demson Chapter 2: Stewardship and Plenitude: William Bartram, the Lake Poets, and Romantic Ecology, David Higgins Chapter 3: Transatlantic Extinctions and the "Vanishing American," Kevin Hutchings Chapter 4: Reading the "Book of Nature": Thomas Cole and the British Romantics, Samantha Harvey Chapter 5: The Ornithographies of John Clare and Henry David Thoreau, Markus Poetzsch Chapter 6: (Un)settling Desires: Erotics and Ecologies in Nathaniel Hawthorne's Transatlantic Romances, Daniel Hannah Chapter 7: The Sublime and the Dying: Landscape Aesthetics and Animal Suffering in the Boy's-Own Fur Trade, John Miller Chapter 8: John Muir, John Ruskin and the Anthropocene: Modern Painters IV and Studies in the Sierra, Terry Gifford Chapter 9: Mark Twain's The Innocents Abroad, Transatlantic Travel Writing, and the Desolation of the Holy Land, Joshua Mabie Chapter 10: "No Region for Tourists and Women": Isabella Bird, Local Ecology and the Transatlantic Sphere, Amanda Adams Chapter 11: "Enchased and Lettered": Thomas Hardy's American Readers and the Nature of Place, Adrian Tait Afterword, James C. McKusick Notes on Contributors Index
Contents Acknowledgments Introduction: Nineteenth-Century Transatlantic Literary Ecologies, Kevin Hutchings and John Miller Chapter 1: The Poetry and Agricultural Politics of Transatlantic Radicalism, 1789-93: Joel Barlow's The Hasty Pudding, Michael Demson Chapter 2: Stewardship and Plenitude: William Bartram, the Lake Poets, and Romantic Ecology, David Higgins Chapter 3: Transatlantic Extinctions and the "Vanishing American," Kevin Hutchings Chapter 4: Reading the "Book of Nature": Thomas Cole and the British Romantics, Samantha Harvey Chapter 5: The Ornithographies of John Clare and Henry David Thoreau, Markus Poetzsch Chapter 6: (Un)settling Desires: Erotics and Ecologies in Nathaniel Hawthorne's Transatlantic Romances, Daniel Hannah Chapter 7: The Sublime and the Dying: Landscape Aesthetics and Animal Suffering in the Boy's-Own Fur Trade, John Miller Chapter 8: John Muir, John Ruskin and the Anthropocene: Modern Painters IV and Studies in the Sierra, Terry Gifford Chapter 9: Mark Twain's The Innocents Abroad, Transatlantic Travel Writing, and the Desolation of the Holy Land, Joshua Mabie Chapter 10: "No Region for Tourists and Women": Isabella Bird, Local Ecology and the Transatlantic Sphere, Amanda Adams Chapter 11: "Enchased and Lettered": Thomas Hardy's American Readers and the Nature of Place, Adrian Tait Afterword, James C. McKusick Notes on Contributors Index
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