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This book provides a framework by which a global audience might think theologically about contemporary films produced in mainland China by Chinese directors. Up to this point the academic discipline of Christian theology and film has focussed predominantly on Western cinema.

Produktbeschreibung
This book provides a framework by which a global audience might think theologically about contemporary films produced in mainland China by Chinese directors. Up to this point the academic discipline of Christian theology and film has focussed predominantly on Western cinema.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Kris H.K. Chong (PhD, Fuller Theological Seminary; MPhil, Cambridge University) currently teaches at Baptist Theological Seminary, Singapore. Her work centres around Systematic Theology, Faith and Film and Theology & Culture. She has published in various academic journals in both English and Chinese. She writes Chinese articles for her own column «¿¿¿¿»for Singapore's leading Chinese newspaper, Lianhe Zaobao ¿¿¿¿.