Transitions in Mid-Baroque Music (eBook, PDF)

Style, Genre and Performance
Redaktion: Churnside, Carrie

• Format: PDF

Produktbeschreibung

Featuring 102 music examples, this edited collection features contributions by leading scholars from the UK, United States, Australasia and Europe on what characterized the period.

This collection focusses on the stylistic and cultural interchange that characterizes the musical period of the mid-Baroque (c.1650-1710). The idea of musical transition during this period is evident in two principal ways: geographical and chronological (the two often overlap). Chapters examine geographical transition by tracing the exchange of regional and national styles, while considering chronological evolution from the perspective of music theory, performance practice, source studies or specific repertoires. Studies range across instrumental and vocal music, both sacred and secular, and encompass some of the main European traditions prevalent at the time: Italian, German, French and English. The collection features contributions by leading scholars from the UK, the United States, Australasia and Europe.

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Produktdetails

• Verlag: Cokesbury
• Seitenzahl: 416
• Erscheinungstermin: 28. Mai 2024
• Englisch
• ISBN-13: 9781805433064
• Artikelnr.: 72317738

Autorenporträt

Edited by Carrie Churnside

Inhaltsangabe

List of Illustrations Acknowledgements List of Abbreviations Preface -
Carrie Churnside Part I. Historical and Geographical Transitions in German
and English Instrumental Music 1. Duplex Genius: The French and Italian
Musical Styles in the Instrumental Works of Johann Christoph Pez -
Samantha Owens 2. Changing Concepts and Priorities: The German Consort
Suite at the Start of the Eighteenth Century - Michael Robertson 3. French
Dances and the Consort Dances of Matthew Locke and his English
Contemporaries - Andrew Woolley 4. 'Italian sonatas in orchestral garb':
Purcell and the 'reforme of musickal' Italiana' - Alan Howard Part II.
Changing Notational and Performance Practices 5. Key Signatures before
Keys: Conceptualising and Notating Pitch Relations in the Seventeenth
Century - Gregory Barnett 6. Continuity and Change in Continuo Practice:
The Case of Italian Opera - Peter Holman Part III. Two Case Studies in
Mid-Baroque Church Music 7. Musical Transitions at St. Mary's Church in
Lübeck, 1630-1705 - Kerala J. Snyder 8. The Creation of a 'Bolognese
Style': Maurizio Cazzati as the Driving Force Behind Evolving Musical Taste
in Bologna (1657-1671) - Rodolfo Zitellini Part IV. Transition in Italian
Instrumental Music 9. On the Cusps of Stylistic Change: Vivaldi's Sonata RV
820 for Violin, Cello and Continuo and its Seventeenth-Century Roots -
Michael Talbot 10. Naples at a Crossroads: Transformations in Neapolitan
Instrumental Music at the turn of the Seventeenth Century - Guido Olivieri
Part V. Change and Influence in Vocal Music 11. How Italian is the
tragédieen musique of Quinault and Lully? - Michael Klaper 12. Euterpe's
Revenge, or: The Italian Opera Aria c. 1660-1720 - Colin Timms 13. 'Ho
procurato di seguitare ... i tre maggiori lumi della nostra professione':
Homage and Modernity in Perti'sCantate morali e spirituali, op. 1 (1688) -
Carrie Churnside 14. A Microcosm of Italian Cantata Composition in the
1690s: The Seven Settings of A voichel'accendeste by Francesco Maria Paglia
- Rosalind Halton