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In this second book of her trailblazing trilogy, Marsha Meskimmon proposes that decolonizing, ecocritical, feminist art's histories can unravel the anthropocentric legacies of Eurocentric universalism, to create transformative conversations between and across many and more-than-human worlds.

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Produktbeschreibung
In this second book of her trailblazing trilogy, Marsha Meskimmon proposes that decolonizing, ecocritical, feminist art's histories can unravel the anthropocentric legacies of Eurocentric universalism, to create transformative conversations between and across many and more-than-human worlds.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Marsha Meskimmon is Professor of Transnational Art and Feminisms, and Director of the Institute of Advanced Studies at Loughborough University (UK). Her publications include Transnational Feminisms, Transversal Politics and Art: Entanglements and Intersections (2020), Contemporary Art and the Cosmopolitan Imagination (2010), Women Making Art: History, Subjectivity, Aesthetics (2003), all with Routledge.