Twenty years later, Ray is unmarried and still searching for a lasting romance, especially with Alma, whom he meets at the hotel where he works. Through his interactions with Marie, Alma, and others, Ray explores the motives behind the ways we retell our stories, and how we ignore or embrace the future that is already taking shape in the present.
A keen observer of social factors and class disparity, John Holman writes with sharp prose and startling insight, and employs diverse form and point of view to examine issues of race and class within the context of Ray's romantic aspirations.
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