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This book presents Keith Gilyard's most seminal work in one volume, with new and previously published essays on linguistic diversity, cultural identity, critical literacy, writing instruction, literary texts, and popular culture. Essential reading for students and scholars in rhetorical studies, composition studies, applied linguistics, and education.
This book presents Keith Gilyard's most seminal work in one volume, with new and previously published essays on linguistic diversity, cultural identity, critical literacy, writing instruction, literary texts, and popular culture. Essential reading for students and scholars in rhetorical studies, composition studies, applied linguistics, and education.
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Autorenporträt
Keith Gilyard
Inhaltsangabe
Part One: Linguistic Principles. 1: From Voices of the Self. 2: Playing with the Patterns. 3: On My Disciplinary Birth. 4: Language Learning and Democratic Development. 5: One More Time for Professor Nuruddin. 6: It Ain't Hard to Tell: Distinguishing Fact from Fallacy in the Ebonics Controversy. Part Two: Language, Race, and Rights. 7: The African American Contribution to Composition Studies. 8: Higher Learning: Composition's Racialized Reflection. 9: Kinship and Theory. 10: An Extended View of 'Students' Right". 11: Rethinking the Code-Switching Paradigm. Part Three: Diversity, Democracy, and Teaching.12: Literacy, Identity, Imagination, Flight. 13: I Have Fun Playing with Language. 14: Geneva's Quartet: Notes on Linguistics, Aesthetics, Rhetoric, and Policy. 15: Julius and Jesse in 003. 16: Language, Identity, and Citizenship. 17: Socratic Commitment and Critical Literacy.Part Four: Rhetoric, Poetics, and Politics. 18: Aspects of African American Rhetoric as a Field. 19: Genopsycholinguisticide and the Language Theme In African American Fiction. 20: Cultural Heroes. 21: Liberation Memories: Interview by Rudolph Lewis. 22: Review of Ornate with Smoke. 23: Keeping Our Heads in the Language Game: On Political Talk, King, and Obama.
Part One: Linguistic Principles. 1: From Voices of the Self. 2: Playing with the Patterns. 3: On My Disciplinary Birth. 4: Language Learning and Democratic Development. 5: One More Time for Professor Nuruddin. 6: It Ain't Hard to Tell: Distinguishing Fact from Fallacy in the Ebonics Controversy. Part Two: Language, Race, and Rights. 7: The African American Contribution to Composition Studies. 8: Higher Learning: Composition's Racialized Reflection. 9: Kinship and Theory. 10: An Extended View of 'Students' Right". 11: Rethinking the Code-Switching Paradigm. Part Three: Diversity, Democracy, and Teaching.12: Literacy, Identity, Imagination, Flight. 13: I Have Fun Playing with Language. 14: Geneva's Quartet: Notes on Linguistics, Aesthetics, Rhetoric, and Policy. 15: Julius and Jesse in 003. 16: Language, Identity, and Citizenship. 17: Socratic Commitment and Critical Literacy.Part Four: Rhetoric, Poetics, and Politics. 18: Aspects of African American Rhetoric as a Field. 19: Genopsycholinguisticide and the Language Theme In African American Fiction. 20: Cultural Heroes. 21: Liberation Memories: Interview by Rudolph Lewis. 22: Review of Ornate with Smoke. 23: Keeping Our Heads in the Language Game: On Political Talk, King, and Obama.
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