Uncovering Music of Early European Women (1250-1750) (eBook, PDF)

Redaktion: Fontijn, Claire

• Format: PDF

Produktbeschreibung

Uncovering Music of Early European Women (1250 - 1750) brings together nine essays that investigate aspects of female music-making and musical experience in the medieval and early modern periods.

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 230
• Erscheinungstermin: 28. April 2020
• Englisch
• ISBN-13: 9780429999086
• Artikelnr.: 59339651

Autorenporträt

Claire Fontijn (PhD, Duke University) is Phyllis Henderson Carey Professor of Music at Wellesley College. In 2007, she won the Nicolas Slonimsky Award for Classical Music Biography from ASCAP/Deems Taylor for her monograph Desperate Measures: The Life and Music of Antonia Padoani Bembo (2006; 2013). Together with Susan Parisi, she edited Fiori Musicali: Liber Amicorum Alexander Silbiger (2010). Her second monograph is titled The Vision of Music of Saint Hildegard's Scivias-Synthesizing Image, Text, Notation, and Theory (2013). She has contributed chapters to books on topics ranging from the subjectivity of the Virgin Mary in music (Naomi J. Miller and Naomi Yavneh [eds.], Maternal Measures, 2000), to the chorales of Fanny Hensel and Felix Mendelssohn (Anselm Hartinger, Christoph Wolff, and Peter Wollny [eds.], "Zu groß, zu unerreichbar"-Bach-Rezeption im Zeitalter Mendelssohns und Schumanns, 2007), to opera (Francesco Luisi [ed.], Francesco Buti tra Roma e Parigi, 2009). Her work has been supported by the American Musicological Society, the Andrew W. Mellon Foundation, the Gladys Krieble Delmas Foundation, the National Endowment for the Humanities, and the Woodrow Wilson National Fellowship Foundation.

Inhaltsangabe

Table of Contents
List of Figures with Caption Texts
List of Contributors
Acknowledgements
Preface
Notes from the Underground
Chapter 1. Secret Song and Music in the Visions of Hadewijch of Antwerp
Laurence Wuidar
Chapter 2. The Margin is the Message: The Changeable Mise-en-page as signal
of Musicking in Nuns' Liturgical Books in Late Medieval Freiburg im
Breisgau
Cynthia J. Cyrus
Chapter 3. Uncovering the Musical Life of San Donato in Polverosa: Sister
Maria Diacinta Paulsanti's Processional
Jason Stoessel
Chapter 4. Shaping Female Identity and Agency through Seventeenth-Century
French Sacred Songs
Catherine E. Gordon
Interlude
Chapter 5. Aesthetics of Performance in the Renaissance: Lessons from
Noblewomen
Laura Jeppesen
Music for Royal Rivals
Chapter 6. Songs for Isabella d'Este
Anne MacNeil
Chapter 7. Lucrezia Borgia's Voice
Elizabeth Randell Upton
Serenissime Sirene
Chapter 8. Representations of Weeping in the Laments of Barbara Strozzi
Claire Fontijn
Chapter 9. A Delicate Cage: The Life and Times of Andriana della Tiorba
Eva Kuhn