Understanding Authenticity in Chinese Cultural Heritage (eBook, ePUB)
Redaktion: Hein, Anke; Foster, Christopher J.
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Understanding Authenticity in Chinese Cultural Heritage (eBook, ePUB)
Redaktion: Hein, Anke; Foster, Christopher J.
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Understanding Authenticity in Chinese Cultural Heritage explores the construction of "authenticity" and its consequences in relation to Chinese cultural heritage - those objects, texts, and intangible practices concerned with China's past.
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Understanding Authenticity in Chinese Cultural Heritage explores the construction of "authenticity" and its consequences in relation to Chinese cultural heritage - those objects, texts, and intangible practices concerned with China's past.
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Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 298
- Erscheinungstermin: 15. März 2023
- Englisch
- ISBN-13: 9781000872880
- Artikelnr.: 67495577
- Verlag: Taylor & Francis
- Seitenzahl: 298
- Erscheinungstermin: 15. März 2023
- Englisch
- ISBN-13: 9781000872880
- Artikelnr.: 67495577
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Anke Hein is Associate Professor in Chinese Archaeology at the University of Oxford and St Hugh's College. She is an anthropological archaeologist focusing on issues of culture contact, identity formation and expression, and the history and practice of archaeology as a discipline, particularly in the Chinese border regions. Christopher J. Foster is a British Academy postdoctoral fellow, affiliated with the School of History, Religions and Philosophies at SOAS University of London. He is an historian of premodern China, focusing on intellectual history, manuscript culture, primary education, and canonization.
Part I: Art and Material Culture; 1. The Construction and Deconstruction of
Authenticity in Chinese Art; 2. Copy, Yet Original: Re-examining "Fang Ni
Zan" Paintings in the 15th - 17th Century; 3. Substitutional Objects: The
Authenticity of Su Shi's Snowy Wave Stone from 1101 to 1700; 4. Shanzhai
Tensions in U.S.-Chinese Cultural Heritage Diplomacy; Part II: Cultural
Heritage Management and Preservation; 5. UNESCO World Heritage and the
Problem of Authenticity: The Case of Built Structures and Chinäs Tangible
Cultural Heritage; 6. Exploring the Implication of Tourism for Heritage
Interpretation of National Archaeological Parks in China: The Case of Linzi
Qi State Site; 7. Perspectives on Authenticity and the Preservation of the
Great Wall of China; 8. Critical Chinese Copying as an Interrogation of the
Hegemony of Modernity; 9. Can a Copy Deliver an Authentic Experience? An
Interdisciplinary Approach to Fieldwork Conducted in Southeast China; Part
III: Living and Intangible Cultural Heritage; 10. Crafting Authenticity:
Two Case Studies of the Material Metamorphosis of Cultural Heritage in
China's Creative Economy;11. The Authenticity Problem in Conteporary
Techniques of Zisha Teapot Making; 12. The Modern Invention of Big Red Robe
Tea: History, Science, Story, and Performance;13. Chapter 13. Authenticity,
Legitimacy, and Mimesis in the Production and use of Chinese-inspired
Japanese Tea Ceremony Utensils: Karamono (Chinese Things); Part IV: Texts
and Manuscripts;14. "Authenticity" and Shu: What is at Stake?; 15.
(Mis)remembering the Tang? Issues of Authenticity Surrounding the
Attribution of the Ershisi Shipin to Sikong Tu; 16. Authenticity and
Self-representation: A Case Study of Song Zhiwen;17. Authenticity beyond
Authority? The Case of Handwritten Entertainment Fiction from the Chinese
Cultural Revolution
Authenticity in Chinese Art; 2. Copy, Yet Original: Re-examining "Fang Ni
Zan" Paintings in the 15th - 17th Century; 3. Substitutional Objects: The
Authenticity of Su Shi's Snowy Wave Stone from 1101 to 1700; 4. Shanzhai
Tensions in U.S.-Chinese Cultural Heritage Diplomacy; Part II: Cultural
Heritage Management and Preservation; 5. UNESCO World Heritage and the
Problem of Authenticity: The Case of Built Structures and Chinäs Tangible
Cultural Heritage; 6. Exploring the Implication of Tourism for Heritage
Interpretation of National Archaeological Parks in China: The Case of Linzi
Qi State Site; 7. Perspectives on Authenticity and the Preservation of the
Great Wall of China; 8. Critical Chinese Copying as an Interrogation of the
Hegemony of Modernity; 9. Can a Copy Deliver an Authentic Experience? An
Interdisciplinary Approach to Fieldwork Conducted in Southeast China; Part
III: Living and Intangible Cultural Heritage; 10. Crafting Authenticity:
Two Case Studies of the Material Metamorphosis of Cultural Heritage in
China's Creative Economy;11. The Authenticity Problem in Conteporary
Techniques of Zisha Teapot Making; 12. The Modern Invention of Big Red Robe
Tea: History, Science, Story, and Performance;13. Chapter 13. Authenticity,
Legitimacy, and Mimesis in the Production and use of Chinese-inspired
Japanese Tea Ceremony Utensils: Karamono (Chinese Things); Part IV: Texts
and Manuscripts;14. "Authenticity" and Shu: What is at Stake?; 15.
(Mis)remembering the Tang? Issues of Authenticity Surrounding the
Attribution of the Ershisi Shipin to Sikong Tu; 16. Authenticity and
Self-representation: A Case Study of Song Zhiwen;17. Authenticity beyond
Authority? The Case of Handwritten Entertainment Fiction from the Chinese
Cultural Revolution
Part I: Art and Material Culture; 1. The Construction and Deconstruction of
Authenticity in Chinese Art; 2. Copy, Yet Original: Re-examining "Fang Ni
Zan" Paintings in the 15th - 17th Century; 3. Substitutional Objects: The
Authenticity of Su Shi's Snowy Wave Stone from 1101 to 1700; 4. Shanzhai
Tensions in U.S.-Chinese Cultural Heritage Diplomacy; Part II: Cultural
Heritage Management and Preservation; 5. UNESCO World Heritage and the
Problem of Authenticity: The Case of Built Structures and Chinäs Tangible
Cultural Heritage; 6. Exploring the Implication of Tourism for Heritage
Interpretation of National Archaeological Parks in China: The Case of Linzi
Qi State Site; 7. Perspectives on Authenticity and the Preservation of the
Great Wall of China; 8. Critical Chinese Copying as an Interrogation of the
Hegemony of Modernity; 9. Can a Copy Deliver an Authentic Experience? An
Interdisciplinary Approach to Fieldwork Conducted in Southeast China; Part
III: Living and Intangible Cultural Heritage; 10. Crafting Authenticity:
Two Case Studies of the Material Metamorphosis of Cultural Heritage in
China's Creative Economy;11. The Authenticity Problem in Conteporary
Techniques of Zisha Teapot Making; 12. The Modern Invention of Big Red Robe
Tea: History, Science, Story, and Performance;13. Chapter 13. Authenticity,
Legitimacy, and Mimesis in the Production and use of Chinese-inspired
Japanese Tea Ceremony Utensils: Karamono (Chinese Things); Part IV: Texts
and Manuscripts;14. "Authenticity" and Shu: What is at Stake?; 15.
(Mis)remembering the Tang? Issues of Authenticity Surrounding the
Attribution of the Ershisi Shipin to Sikong Tu; 16. Authenticity and
Self-representation: A Case Study of Song Zhiwen;17. Authenticity beyond
Authority? The Case of Handwritten Entertainment Fiction from the Chinese
Cultural Revolution
Authenticity in Chinese Art; 2. Copy, Yet Original: Re-examining "Fang Ni
Zan" Paintings in the 15th - 17th Century; 3. Substitutional Objects: The
Authenticity of Su Shi's Snowy Wave Stone from 1101 to 1700; 4. Shanzhai
Tensions in U.S.-Chinese Cultural Heritage Diplomacy; Part II: Cultural
Heritage Management and Preservation; 5. UNESCO World Heritage and the
Problem of Authenticity: The Case of Built Structures and Chinäs Tangible
Cultural Heritage; 6. Exploring the Implication of Tourism for Heritage
Interpretation of National Archaeological Parks in China: The Case of Linzi
Qi State Site; 7. Perspectives on Authenticity and the Preservation of the
Great Wall of China; 8. Critical Chinese Copying as an Interrogation of the
Hegemony of Modernity; 9. Can a Copy Deliver an Authentic Experience? An
Interdisciplinary Approach to Fieldwork Conducted in Southeast China; Part
III: Living and Intangible Cultural Heritage; 10. Crafting Authenticity:
Two Case Studies of the Material Metamorphosis of Cultural Heritage in
China's Creative Economy;11. The Authenticity Problem in Conteporary
Techniques of Zisha Teapot Making; 12. The Modern Invention of Big Red Robe
Tea: History, Science, Story, and Performance;13. Chapter 13. Authenticity,
Legitimacy, and Mimesis in the Production and use of Chinese-inspired
Japanese Tea Ceremony Utensils: Karamono (Chinese Things); Part IV: Texts
and Manuscripts;14. "Authenticity" and Shu: What is at Stake?; 15.
(Mis)remembering the Tang? Issues of Authenticity Surrounding the
Attribution of the Ershisi Shipin to Sikong Tu; 16. Authenticity and
Self-representation: A Case Study of Song Zhiwen;17. Authenticity beyond
Authority? The Case of Handwritten Entertainment Fiction from the Chinese
Cultural Revolution