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  • Format: ePub

What political power do videos on social media have? In what ways do they exert influence, shape publics and change political life? And how can committed civil society actors in this field assert themselves against hegemonic discourses, commercial interests, anti-democratic agitation, and authoritarian propaganda? These questions are being debated intensely as social media increasingly dominate global information flows, and videos increasingly dominate social media.
Understanding video activism seems particularly relevant at a time when the internet is undergoing fundamental disruptions.
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Produktbeschreibung
What political power do videos on social media have? In what ways do they exert influence, shape publics and change political life? And how can committed civil society actors in this field assert themselves against hegemonic discourses, commercial interests, anti-democratic agitation, and authoritarian propaganda? These questions are being debated intensely as social media increasingly dominate global information flows, and videos increasingly dominate social media.

Understanding video activism seems particularly relevant at a time when the internet is undergoing fundamental disruptions. The forms, practices, and opportunities of activism depend on its media environment, which now is changing rapidly and profoundly in terms of its technological basis, ownership, legal regulations, and governmental control.


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Autorenporträt
Jens Eder teaches media studies, aesthetics and narrative theory at the Filmuniversität Babelsberg KONRAD WOLF, Potsdam, Germany. His research focuses on contemporary audiovisual media, their forms, effects and relations to society.

Britta Hartmann teaches film studies and audiovisual media cultures at the University of Bonn, Germany. Her research focuses on film theory and aesthetics, documentary history and practice. She is one of the founding editors of the journal Montage AV.

Chris Tedjasukmana is Professor of Everyday Media and Digital Cultures at the Johannes Gutenberg University of Mainz, Germany. His current research focuses on media practices of witnessing, critical phenomenologies of media bodies, and political film aesthetics.