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This is what comes of taking dreams / off the horizon. It is the sun / or nothing else, you would scream / if you weren't caught up in the chorus.
Leaning deliberately on the imagined while scrutinizing reality and hoping for the as-yet-unseen, UNMET is a poetry collection that explores themes of frustration, justice, and thwarted rescue from a perspective that is Black-Latinx, Canadian, immigrant, and female. Drawing on a wide range of poetics, from Wallace Stevens to Tony Hoagland and Diane Seuss, roberts's musically-driven narrative surrealism confronts such timely issues as police…mehr

Produktbeschreibung
This is what comes of taking dreams / off the horizon. It is the sun / or nothing else, you would scream / if you weren't caught up in the chorus.

Leaning deliberately on the imagined while scrutinizing reality and hoping for the as-yet-unseen, UNMET is a poetry collection that explores themes of frustration, justice, and thwarted rescue from a perspective that is Black-Latinx, Canadian, immigrant, and female. Drawing on a wide range of poetics, from Wallace Stevens to Tony Hoagland and Diane Seuss, roberts's musically-driven narrative surrealism confronts such timely issues as police brutality, respectability politics, intimate partner, and ecological crisis, and considers the might-have-been alongside the what could be, negotiating the past without losing hope for the future.


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Autorenporträt
stephanie roberts is the author of rushes from the river disappointment, a Quebec Writers' Federation finalist for the A.M. Klein Prize for Poetry, the winner of The Sixty-Four: Best Poets of 2018, a recipient of the Sage Hill Writing award for Black Excellence, and a Canada Council of the Arts grantee. Her work has been critically praised and featured in well over one hundred periodicals and anthologies, in print and online, throughout Canada, the US, and Europe. She is a citizen of Canada, Panama, and the US, and has lived most of her life in Quebec.