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Story seen on the series True Convictions on Investigative Discovery, in January 2018.
Until Proven Innocent was originally published by Avon Books.
By now deep into his case, the prosecutor was no longer as sure as he'd been: Were maybe not both of his murder defendants truly guilty? That's when he called his retired dad -- would you help me? Dad had been one of the most famous detectives in New York. Years before, he'd solved the real murder case that the Kojak TV series had been modeled after.
The Miami Herald: "[Brian] Cavanagh called on his father for help. Three decades
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Produktbeschreibung
Story seen on the series True Convictions on Investigative Discovery, in January 2018.

Until Proven Innocent was originally published by Avon Books.

By now deep into his case, the prosecutor was no longer as sure as he'd been: Were maybe not both of his murder defendants truly guilty? That's when he called his retired dad -- would you help me? Dad had been one of the most famous detectives in New York. Years before, he'd solved the real murder case that the Kojak TV series had been modeled after.

The Miami Herald: "[Brian] Cavanagh called on his father for help. Three decades ago, as a New York City detective, Thomas Cavanagh became famous clearing a man accused of a Manhattan murder. His work led to the original Kojak TV movie and subsequent series. "Thomas Cavanagh built a reputation for cracking tough cases. He continued to track down elusive killers even after he retired and moved to South Florida. More than 15 years after he retired, Cavanagh used his legendary skills to help find a man who murdered a Davie woman during a home-invasion robbery. "Working together to crack a Davie murder case, the real-life Kojak and his prosecutor son..." Globe Magazine: REAL-LIFE KOJAK CATCHES A KILLER He quits retirement to free innocent man "A former New York City cop whose exploits inspired TV's Kojak has come out of retirement to solve a baffling murder mystery.

Super-sleuth Thomas Cavanagh, 79, cleared the prime suspect in the case -- and fingered the real suspect. Cavanagh was sunning himself by the pool at his Florida home when his son Brian, a prosecutor in Fort Lauderdale, called.

"Dad, I have a problem with this case," Brian said. "What should I do?"


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Autorenporträt
A feature film, SPEED KILLS, based on my book, opened in November 2018! You can stream it.
Watch the trailer:
https://www.screendaily.com/news/first-look-trailer-john-travolta-in-speedboat-drama-speed-kills-exclusive/5129868.article

True crime writers primarily pursue the question "Why?" Why did somebody commit the crime? How could he get away with it for so long?

In my true crime books, I pursue a different primary question: about the case's outcome, I ask, "Are you sure?"

Every true crime story has loose ends that naggingly just don't fit into the constructed narrative. They make for a challenge: stay with your narrative and ignore or play them down, or follow them and risk your narrative.

There is an essential messiness to true crime that a reader of it must both resist and embrace. But that's why we read it, right? If you want everything well-tied up at the end, read crime fiction. To start, give up on the idea that a story must have a bottom. How can there not be a bottom? Yes, theoretically there is a bottom, but to us on the outside looking in, it's just not accessible. In reality, what we think are story bottoms are really false bottoms; beneath them, if we dare to look, are more bottoms. That wisdom, I should add, did not come to me easily. My stories are always less about the crimes themselves than my endurance to stay on the rollercoaster rides to find the truth. Countless times I'm upended, and I never see it coming.

Yet the job of a guide, narrator and investigator, such as myself, remains to organize that mess. However, I also scrutinize the work of the other guides, narrators, and investigators on the story. When I approach a story, I look for, then follow, significant pathways not taken: people who law enforcement couldn't get or weren't then ready to talk; witnesses who weren't asked everything important; and things the authorities were blind to or simply missed.

Then there are the stories in which the official investigators suppressed facts. On those, I am unrelenting in pursuing public records (always politely, politeness is essential in all information gathering). In obscure files and from additional reporting based on them, I've discovered a few rare things that were never known outside of law enforcement.

Always remember that to some extent, every interested party in a crime story is intentionally misleading us. They tell mostly true things but withhold o...