46,95 €
46,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
23 °P sammeln
46,95 €
46,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
23 °P sammeln
Als Download kaufen
46,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
23 °P sammeln
Jetzt verschenken
46,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
23 °P sammeln
  • Format: ePub

Art historian Henry M. Sayre traces the origins of the term &quote;value&quote; in art criticism, revealing the politics that define Manet's art.How did art critics come to speak of light and dark as, respectively, high in value and low in value ? Henry M. Sayre traces the origin of this usage to one of art history s most famous and racially charged paintings, Edouard Manet s Olympia.Art critics once described light and dark in painting in terms of musical metaphor higher and lower tones, notes, and scales. Sayre shows that it was Emile Zola who introduced the new law of values in an 1867…mehr

  • Geräte: eReader
  • mit Kopierschutz
  • eBook Hilfe
  • Größe: 73.26MB
  • FamilySharing(5)
Produktbeschreibung
Art historian Henry M. Sayre traces the origins of the term "e;value"e; in art criticism, revealing the politics that define Manet's art.How did art critics come to speak of light and dark as, respectively, high in value and low in value ? Henry M. Sayre traces the origin of this usage to one of art history s most famous and racially charged paintings, Edouard Manet s Olympia.Art critics once described light and dark in painting in terms of musical metaphor higher and lower tones, notes, and scales. Sayre shows that it was Emile Zola who introduced the new law of values in an 1867 essay on Manet. Unpacking the intricate contexts of Zola s essay and of several related paintings by Manet, Sayre argues that Zola s usage of value was intentionally double coded an economic metaphor for the political economy of slavery. In Manet s painting, Olympia and her maid represent objects of exchange, a commentary on the French Empire s complicity in the ongoing slave trade in the Americas. Expertly researched and argued, this bold study reveals the extraordinary weight of history and politics that Manet s painting bears. Locating the presence of slavery at modernism s roots, Value in Art is a surprising and necessary intervention in our understanding of art history.

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Henry M. Sayre is distinguished professor of art history emeritus at Oregon State University-Cascades Campus. He is the creator and executive director of the ten-part television series A World of Art: Works in Progress and the author of nine books, including The Object of Performance: The American Avant-Garde since 1970, also published by the University of Chicago Press.