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The poems in Morgan Lucas Schuldt's debut collection, Verge, speak at once both brokenly and reparably of the body, of its lusts and devotions, its violences and "satisflictions." Schuldt's lyrics exploit the phonetic suppleness of the English language in a way that teases out (mischievously so, earnestly so) an ecstatic, carnal, tender kind of poetics that pays homage-in both name and spirit-to poets like Hopkins, Celan, Crane and Berryman, as well as ekphrastically to painters Francis Bacon, Joan Miro, and Hironymous Bosch.
The poems in Morgan Lucas Schuldt's debut collection, Verge, speak at once both brokenly and reparably of the body, of its lusts and devotions, its violences and "satisflictions." Schuldt's lyrics exploit the phonetic suppleness of the English language in a way that teases out (mischievously so, earnestly so) an ecstatic, carnal, tender kind of poetics that pays homage-in both name and spirit-to poets like Hopkins, Celan, Crane and Berryman, as well as ekphrastically to painters Francis Bacon, Joan Miro, and Hironymous Bosch.
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Autorenporträt
Morgan Lucas Schuldt died of complications from cystic fibrosis on Jan. 30, 2012, twelve days before his thirty-fourth birthday. Schuldt earned an MFA in Poetry and an MA in Literature at the University of Arizona. He completed two book-length collections, erros and Verge (Parlor Press, 2007), as well as three chapbooks, (as vanish, unespecially) (Flying Guillotine Press, 2012), L=u=N=G=U=A=G=E (Scantily Clad Press, 2009) and Otherhow (Kitchen Press, 2007). A writer of criticism, reviews and interviews, he was a mentor to many poets and a dedicated enthusiast of the work he loved, co-founding and editing CUE (A Journal of Prose Poetry), and editing CUE Editions, a chapbook series.
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