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Reviews for the first edition:
'Victorian Fiction: Writers, Publishers, Readers works a series of elegant variations on the theme of the novel as a complex cultural construct...Unflaggingly perceptive, prefigurative - notably in his linking of the Victorian publishing scene and modern arrangements...Sutherland invariably leaves you wanting more.' - D.J. Taylor, Sunday Times
'No one writing today writes better about Victorian fiction' - Jerome McGann
'Sutherland...must know more about Victorian fiction and its background than almost anyone currently writing about it, and this book amply demonstrates his virtuosity...His brilliant analysis in Chapter 3...reads like a spellbinding novel itself...Highly recommended for general audiences, upper-division undergraduates, graduate students and faculty.' - R. T. Van Arsdel, Choice, Sept 1995 (Selected as one of Choice's Outstanding Academic Books for 1995)
'...stylish and entertaining...' - Studies in English Literature
'...Sutherland combines meticulous textual scholarship and biographical detail with a broad perspective onthe cultural and economic milieux in which Victorian fiction was produced...not since the portrait of 'Pegasus in Harness' in William Makepeace Thackeray's Pendennis has anyone so vividly represented the Victorian publishing industry. With his usual grace and wit, Sutherland here offers another tour of the hectic world of urgent deadlines, clandestine negotiations, and shifting alliances that made Victiorian novels Victorian.' - Bradley Deane, Victorian Studies
'...Sutherland's book [deserves to belong] on the shelf of every Victorian scholar and in the hand of every student of Victorian fiction.' - Peter L. Shillingsburg, Nineteenth-Century Literature
'This book...belongs on the shelf of every Victorian scholar and in the hand of every student of Victorian fiction.' - Peter L. Shillingsburg Mississippi State University, USA
'Sutherland combines meticulous textual scholarship and biographical detail with a broad perspective on the cultural and economic milieux in which Victorian fiction was produced...not since the portrait of Pegasus in Harness' in William Makepeace Thackery's Pendennis (1845-50) has anyone so vividly represented the Victorian publishing industry. With his usual grace and wit, Sutherland here offers another tour of the hectic world of urgent deadlines, clandestine negotiations, and shifting allegiances that made Victorian novels Victorian.' - Bradley Deane, Northwestern University, USA