Victorian Material Culture (eBook, PDF)

Redaktion: Mills, Victoria; Nichols, Kate

• Format: PDF

Produktbeschreibung

This collection brings together a range of primary sources on Victorian material and culture. This volume on 'Victorian Arts' will include sources on painting sculpture, book illustration, photography and the much-neglected area of Victorian stained glass.

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Taylor & Francis eBooks
• Seitenzahl: 612
• Erscheinungstermin: 14. Juli 2022
• Englisch
• ISBN-13: 9781315400259
• Artikelnr.: 64310696

Autorenporträt

Victoria Mills is Lecturer in Victorian and Cultural Studies, Birkbeck, Univesity of London, UK Kate Nichols is Birmingham Fellow in British Art at the Department of Art History, Curating, and Visual Studies, University of Birmingham, UK

Inhaltsangabe

Part 1: Paintings 1.1 Artist Materials Headnote 1.1 1. 'Varieties'
Art-Union
1839-1848
3:26 (March 1841)
p. 49. 2. Winsor and Newton's Catalogue of Colours and Materials for Watercolour paintings
pencil
chalk
architectural drawing & c&c (London: Winsor and Newton
1882)
p. 20. 3. William Holman Hunt
'The Present System of Obtaining Materials in use by Artist Painters
as Compared with that of the Old Masters'
Journal of the Society of Arts (23 April 1880)
pp. 485; 492-3; 496; 497-8. 4. V. Surtees (ed.)
Diary of Ford Madox Brown (New Haven and London: Yale University Press
1981) pp. 4-5; 21
34; 44; 76. 5. Image: William Holman Hunt
The Finding of the Saviour in the Temple (1854-60)
Birmingham Museum and Art Gallery
Presented by Sir John T Middlemore Bt.
1896. 6. F. G. Stephens
William Holman Hunt and his Works: a memoir of the artist's life
with description of his pictures (London: James Nisbet and Co.
1860)
pp. 78-9. 7. P.G. Hamerton
'Picture Framers'
Thoughts about art (London: Macmillan and Co.
1873)
pp. 368-73. 1.2 Colour Headnote 1.2 8. 'Notabilia of the International Exhibition: Artists Colours'
Art Journal
1 July 1862
p. 162. 9. George Field
Chromatography: or
a treatise on Colours and Pigments
and of their powers in painting
&c. (London: Charles Tilt
1835)
pp. ix-xiv; 4-7; 12; 19; 83; 104; 112; 155-9; 161-63. 10. A. H. Church
The Chemistry of Paints and Painting (London: Seeley and Co.
1890)
pp. 136-38
192-4
209. 11. Dina Bandhu Mitra
introduction
author's preface
and 'Persons of the Drama'
in Nil Darpan
or the Indigo Planting Mirror
a Drama. Translated from the Bengali by A Native (Calcutta: C. H. Manuel
1861)
p. 39-41. 12. T. N. Mukharji
'Piuri
or Indian Yellow'
Journal of the Society of Arts (23 November 1883)
pp. 16-17. 1.3 Medium Headnote 1.3 13. John Ruskin
'The Elements of Drawing' in E.T. Cook and A. Wedderburn (eds)
The Works of John Ruskin
vol.15 (Cambridge: Cambridge University Press
2010)
pp.157-159. 14. Image: Frontispiece to Theodore Henry Fielding
Ackermann's Manual of Colours
used in the different branches of water-colour painting (London
1844). The Bodleian Libraries
University of Oxford. 15. Theodore Henry Fielding
'Introduction'
Ackermann's Manual of Colours
used in the different branches of water-colour painting (London: R. Ackermann
1844)
pp. 3-6. 16. 'Winsor and Newton's Moist Water Colours in Porcelain Pans'
Winsor and Newton's Catalogue of Colours and Materials for Watercolour paintings
pencil
chalk
architectural drawing &c &c (London: Winsor and Newton
1882)
p. 11. 17. Image: Frances Anne Hopkins
Encampment of Voyageurs (1870)
watercolour. Library and Archives Canada/Peter Winkworth Collection of Canadiana at the National Archives of Canada/e000835916. 18. Mary Merrifield
The Art of Fresco Painting as practised by the Old Italian and Spanish Masters with a Preliminary Enquiry into the Nature of the Colours Used in Fresco Painting with Observations and Notes (London: Charles Gilpin
1846)
pp. iii-iv; vi-vii. 19. Alice Meynell
'Mrs Adrian Stokes
' The Magazine of Art
March 1901
pp. 243-6. 20. Image: Marianne Stokes
Candlemas Day
1901
tempera on wood
416 x 340 mm
Tate
Presented by the Trustees of the Chantrey Bequest
1977. 1.4 Conservation Headnote 1.4 21. Henry Merritt
Art Criticism and Romance vol.1 (London: C Keegan Paul & Co
1879)
p. 80
133-4. 22. Richard Redgrave and Samuel Redgrave
A Century of Painters of the English School; with Critical Notices of their Works
and an Account of the Progress of Art in England (London: Smith
Elder and Co.
1866)
vol. 2
selections from 588-609. 23. Instructions from John Herbert for Unpacking and Displaying the painting The Descent of Moses
Letter
1878
Public Records Office of Victoria
4363/p/unit 9. 24. Image: 1878
Instructions from John Herbert for Unpacking and Displaying the painting The Descent of Moses
Letter
1878
Public Records Office of Victoria
4363/p/unit 9. 25. 'Shipping. Hobson's Bay'
Age
16 February 1878
p.4. Part 2. Sculpture 2.1 Materials and Making Headnote 2.1 26. Anna Jameson
A Handbook to the Courts of Modern Sculpture (London: Bradbury and Evans
1854)
pp. 3-5. 27. Edmund Gosse
'Sculpture at the Royal Academy'
Saturday review of politics
literature
science and art
69:1809 (28 June 1890)
p. 794. 28. Fred Miller
'George Frampton
A. R. A.
Art Worker'
Art Journal (November 1897)
p. 321
323-4. 29. Edwin Roscoe Mullins
A Primer of Sculpture (London: Cassell and Co.
1890) pp. 62-4; 70-2; 74-5. 30. Marion Spielmann
British Sculpture and Sculptors of Today (London: Cassell and Co.
1901)
pp.5-6. 31. 'The International Exhibition'
Birmingham Daily Post
20 June 1862
p. 2. 32. 'Large Bronze Castings'
Illustrated London News
16 April 1881
p. 374. 33. Image: 'Melting the Metal for the Bronze Sphinx to be placed on the Thames Embankment'
Illustrated London News
16 April 1881
p. 373. 34. Harriet Hosmer
'The Process of Sculpture'
Atlantic Monthly (December 1864)
pp. 734-7. 35. Image: Harriet Hosmer and her assistants
c.1861. Harriet Goodhue Hosmer Papers
Folder: HGH
[c. 1860]
Schlesinger Library
Radcliffe Institute
Harvard University. 36. M. D. Wyatt
Fine Art. A Sketch of its History
Theory
Practice
and application to Industry . Being a Course of Lectures Delivered at Cambridge in 1870 (London: Macmillan and Co.
1870)
pp. 180-2. 2.2 Social Meanings Headnote 2.2 37. Image: Alinari Brothers
Photograph of marble quarry at Carrara
Italy
c.1860s
Hiram Powers papers
1819-1953
Box 11
Folder 9
Archives of American Art
Smithsonian Institution. 38. Nathaniel Hawthorne
The Marble Faun (1860)
ed. Susan Manning (Oxford: Oxford University Press
2002)
selections from Chapter 15
An Aesthetic Company
pp.104-6. 39. 'Notabilia of the International Exhibition: Tinted Sculpture'
Art Journal
1 July 1862
pp. 161-2. 40. 'Art and Artists: Mr Cordier's Ethnographical Sculpture'
Critic
9 February 1861
p. 190. 41. 'Ancient and Modern Sculpture'
London Review and Weekly Journal of Politics
Literature
Art
and Society
4:103 (1862)
p. 567. 42. 'The Art-Show at the Great Exhibition'
Dublin University Magazine
60:356 (1862)
pp.141-2. 43. Henry Weekes
Lectures on Art Delivered at the Royal Academy London (London: Bickers and Son
1880)
pp. 171-2. 44. Image: George Frampton
R.A.
Lamia
1899-1900
Ivory
bronze
opals
glass
61 x 55.3 cm
(c)Royal Academy of Arts
London; photographer: Paul Highnam. 45. Marion Spielmann
British Sculpture and Sculptors of Today (London: Cassell and Co.
1901)
pp.11-12. 46. Alfred Maskell
Ivories (London: Methuen and Co.
1905)
pp. 498-9; 504
515-7; 521-2. 2.3 Replication Headnote 2.3 47. Harriet Martineau
'The Magic Troughs at Birmingham'
Household Words
4:83 (25 October 1851) 113-117. 48. Image: Centennial Photographic Company
Elkington & Co.'s exhibit
Main Building
Philadelphia Centennial Exhibition
1876
silver albumen print; 33 x 41 cm
Image Courtesy of the Free Library of Philadelphia
Print and Picture Collection. 49. Image: Centennial Photographic Company
Interior view of Elkington & Co.'s exhibit
Main Building
Philadelpia Centennial Exhibition
1876
silver albumen print; 21 x 26 cm
Image Courtesy of the Free Library of Philadelphia
Print and Picture Collection. 50. David Brewster
'Application of the Stereoscope to Sculpture
Architeture and Engineereing'
in The Stereoscope; its History
Theory
and Construction
with its Application to the Fine and Useful Arts and to Education (London: John Murray
1856)
pp.183-5. 51. Image: C. Bierstadt
Publisher
1043 Una and the Lion
date unknown (1882-1903)
stereograph card; 17.5 x 8.5 cm
Author's Collection. 52. 'The corridor of statuary-porcelain at Alderman Copeland's
New Bond St'
Art Journal
1 November 1859
pp. 347-348. 53. 'Ghosts at South Kensington' Saturday Review of Politics
Literature
Science and Art
29 March 1879
pp. 391-2. 54. Image: Charles Shepherd
View of molders working in the courtyard of the Quwwat al-Islam [Might of Islam] Mosque with the colonnade in the background
Quwwat al-Islam Mosque Complex
Delhi
India
published 1872. Image used according to the V&A's terms and conditions (c) Victoria and Albert Museum
London 55. H. H. Cole
The Architecture of Ancient Delhi. Especially the Buildings Around the Kutb Minar (London: Arundel Society
1872)
pp. 5-7. 56. 'Small Bronzes'
Saturday Review of Politics
Literature
Science and Art
31 May 1890
p. 672. Part 3. Stained Glass 3.1 Materials and Techniques Headnote 3.1 57. C. Winston
An Inquiry into the Difference of Style Observable in Ancient Glass Paintings
Especially in England; with Hints on Glass Painting Vol. I (Oxford and London
1847)
pp. 2-7. 58. 'Opaline Glass'
The Magazine of Art (January 1897)
pp. 334-336. 3.2 Architectural Contexts Headnote 3.2 59. G. E. Street
'On Glass Painting'
The Ecclesiologist 10 (1852)
237-47. [selected extracts from a Paper read at 13th Anniversary of the Ecclesiological Society
9 June 1852] 60. 'Stained glass as an accessory to Domestic Architecture'
Chamber's Journal (1884
June 7)
pp. 359-361. 61. J. W. Mackail
Life of William Morris (London
New York and Bombay: Longmans
Green & Co.
1899) vol. 2
pp. 37-40 3.3 Style and Taste Headnote 3.3 62. Image: 'A Card'
Punch 8 (1845)
p. 238. 63. 'Stained Glass Windows'
London Journal (20 March 1858)
p.40. 64. Thomas Hardy
'The Young Glass Stainer' (1893) 3.4 Tools and Artistic Labour Headnote 3.4 65. H. A. Kennedy
'An Art Not Generally Understood'
Contemporary Review 55 (1889
March)
427-42. [selected extracts from: esp. pp.430-6
438-9
and 441-2] 66. J. W. Mackail
Life of William Morris (London
New York and Bombay: Longmans
Green & Co.
1899) vol. 2
pp. 41-42. 67. C. Whall
'Of Colour'
The Artistic Crafts Series of Technical Handbooks: Stained Glass Work (London: John Hogg
1905)
pp. 205-207
209-11. 68. E. F. Suffling
'The colours and brushes used in glass painting'
A Treatise on the Art of Glass Painting (London: Scott
Greenwood & Co.
1902)
pp. 81-93. Part 4. Art of the Book 4.1 Book illustration: opinion pieces and debates Headnote 4.1 69. Charles Lamb
'To Samuel Rogers
Esq.
'
The Times 13th December 1833 70. Letter from Charles Lamb to Samuel Rogers
Sir Thomas Noun Talford The Complete Works of Charles Lamb containing his letters
essays
poems
etc. with a sketch of his life (Philadelphia
William T. Amies
1879)
pp. 291-2. 71. John Murray
'Illustrated Books'
Quarterly Review
June 1844
pp. 168-172. 72. William Wordsworth
'Illustrated Books and Newspapers'
The Poetical Works of William Wordsworth D.C.L Volume VI (London: Edward Moxon
1846)
p. 212. 73. 'Book Illustrations'
(anon) All the Year Round
Aug 10th 1867
pp. 151-152. 74. George Du Maurier 'The Illustrating of books'
Magazine of Art
January 1890 pp. 349-50. 75. William Morris - 'The woodcuts of gothic books' address to the applied art section of the Society of Arts in London published in Journal of the Society of Arts
(40) 12th February 1892
pp. 254-257. 76. Walter Crane
'The Decoration and Illustration of Books'
The Journal of the Society of Arts (Vol. 37)
November 1
1889)
pp. 895. 77. Henry Blackburn
'The Art of Book and Newspaper Illustration: The Illustrator of Today'
The Journal of the Society of Arts (Vol. 42)
December 29
1893
pp. 93-94. 78. Gleeson White
English Illustration
'The sixties
1855-70' (London
Archibald Constable and Co. Ltd.
1897)
pp.1-4. 4.2 Author/ Illustrator/ Engraver Relations Headnote 4.2 79. Correspondence between George Eliot and Frederick Leighton. From Mrs Russell Barrington
The Life
Letters and Work of Frederic Baron Leighton vol 2
pp. 96-99. 80. George Birkbeck Hill (ed.) Letters of Dante Gabriel Rossetti to Willingham Allingham (London: Fisher and Unwin
1897). Saturday March 18th 1855 (pp. 108-9). 81. 'Book Illustration' Art journal
October 1902
pp. 315 -316 82. Joseph Pennell
Modern Illustration (London: George Bell &Sons
1895)
pp. xvii- xxi 83. Henry Blackburn 'The Art of Book and Newspaper Illustration' lecture 3 (Dec 11 1893)
Journal of the Society of Arts
vol xl11 January 12 1894 pp. 121-23. 84. 'Book Illustration'
P. G. Hamerton
The Portfolio : an artistic periodical; Jan 1888
pp. 17-21. 4.3 Engraving Headnote 4.3 85. Thomas Bewick
A memoir of Thomas Bewick
Written by Himself (London: Longman
Green
Longman and Roberts
1862
pp. 237-341. 86. Henry Cole
'Modern Wood Engraving'
London and Westminster Review
31:2 August 1838
pp. 268-9. 87. John Ruskin
'Definition of the art of engraving'
Ariadne Florentina: six lectures on wood and metal engraving: given before the University of Oxford in Michaelmas term
1872 (Orpington: George Allen
1873) pp. 7-11. 88. M.R. James
'The Mezzotint'
in The Ghost Stories of an Antiquary (London: Edward Arnold
1905) Second impression
pp. 57-65. 89. 'Wood Engraving' in Elisha Noyce
The Boys Book Of Industrial Information (London: Ward and Lock
1863)
p. 134. 90. International Exhibition 1862: Official Catalogue of the Fine Art Department (London
Truscott
Son
& Simmons
1862)
p. 103. 91. Charles Dickens 'Engraved on Steel'
All the Year Round October 27 1866
pp. 372-376 92. Charles Booth
Life and Labour of the People in London (Second series: Industry) (London: Macmillan and Co.
1903)
pp. 109-113. 4. 4 Book Binding Headnote 4.4 93. 'A day at a bookbinders' The Penny Magazine for the diffusion of useful knowledge September supplement
1842 pp. 377-78). 94. Oscar Wilde
'Beauties of Bookbinding.' Pall Mall Gazette
November 23
1888
p.3 95. 'Bookbinding as a decorative art' The British Bookmaker January 1892 (vol.5)
p. 158 96. Advertisement for Lindner's rollers from The Bookbinder 188-89 (vol. 2)
p. iv 97. 'Xylonite for book binding'
The British Bookmaker
March 1891 (vol 4)
p. 19 98. 'Zaehnsdorf's New Bindery'
The British Bookmaker
November 1890 (vol. 4)
pp.14-15 4.5 Book Art as a Profession for Women Headnote 4.5 99. E. P Burton 'A few hints to women adopting wood engraving as a profession'
Englishwomans Review: A Journal of Woman's Work
October 15th 1881
pp. 440-444. 100. Charlotte Yonge
The Clever Woman of the Family' (London and Cambridge: MacMillan and Co.
1865)
pp. 45-8 101.'The Victoria Press'
Illustrated London News
June 15 1861
p. 555 102. Jean Ingelow
Off the Skelligs (Boston: Roberts Brothers
1872)
pp. 469-476 103. 'Wood engraving for women'
Englishwoman's Review October 15th 1879 pp. 451-453 104. Richard Taylor
'Wood-Engraving as an Employment for Girls'
The Girl's Own Paper Saturday
September 25
1886
p. 823. 105. 'What to do with Our Daughters'
Hearth and Home (London
England)
Thursday
June 18
1891; pg. 146 106. 'Bookbinding by women'
The Bookbinder volume 1 (1887-88)
p. 171 107. 'On female labour in the central districts'
The Bookbinder volume 1 (1887-88)
p.167. 108. Emily Hill
'Artistic book binding'
The Woman's Signal
March 17 1898
pp. 166-7. 109. George Elliot Anstruther
The Bindings of Tomorrow: A Record of the Work of the Guild of Women Binders and the Hampstead Bindery (London: Printed for the Guild of Women Binders
1902)
pp. vii-viii
x. Part 5. Photography 5.1 Inventions and techniques Headnote 5.1 110. Report of Henry Fox Talbot's 'Some account of the art of photogenic drawing or the process by which natural objects may be made to delineate themselves without the aid of the artist's pencil'. Read January 31st 1839 in Abstracts of the Papers Printed in the Philosophical Transactions of the Royal Society of London
pp. 120-121 111. Henry Fox Talbot
'Introductory Remarks'
and image of the bust of Patroculus (plate 17)
from The Pencil of Nature (London: Longman
Brown
Green and Longmans
1844)
pp.1-2. 112. Elizabeth Sheridan Carey
'Lines Written on seeing a daguerreotype portrait of a lady'
Illustrated London News
August 19 1843
p. 125. 113. George Cruikshank
'Photographic phenomena
or the new school of portrait painting' from George Cruikshank's Omnibus (London: Tilt and Bogue)
1842. 114. Frederick Scott Archer
'On the use of collodion in photography
The Chemist
March 1851 pp. 257-8 115. 'Dreadful collodion explosion in Paris'
Pall Mall Gazette
September 12 1892
p. 5. 116. W.W. Rouch and Co. Advertisement from The Photographic News Almanac or The Yearbook of Photography for 1863
p. x. 117. The Imperial Dry Plate Co.
'We are all imperialists now-a-days' (June 1901). 118. The Imperial Dry Plate Co.
'Imperial Plates pilot the way'
Photography
June 5th 1909
p.19. 119. 'The Genesis of the Word Imperial'
The Imperial Handbook
(London
1916)
p. 21. 120. 'Optical wonder of the age'
Peter Parley's Annual: a Christmas and New Year's present for young people
n.d.
p. 12. 121. 'The Birmingham Mutoscope Company
Ltd.'
The Birmingham Pictorial and Dart
March 11
1898
p. 5. 122. 'Suggestion for the R.A.'
Punch or the London Charivari
May 10th 1899
p.225. 123. Cuthbert Bede
'Photography processes' Photographic Pleasures: popularly portrayed with pen and pencil
(London: Thomas McLean
1855)
p. 29. 5.2 Photography: Materials and Equipment Headnote 5.2 124. Cuthbert Bede
'Photographic Fancies'
'Applying the Black Varnish'
Photographic Pleasures: popularly portrayed with pen and pencil
(London: Thomas McLean
1855)
p. 37. 125. 'India-Rubber and its Degree of Solubility' in 'Photography - in and out of the studio'
Photographic News April 6 1877
p. 167 126. 'Travellers and dry plate photography' in 'Photography - in and out of the studio'
Photographic News March 15 1879 p.121. 127. 'Photography and warfare' in 'Photography - in and out of the studio' Photographic News September 12 1879
p.433 128. 'The Poisonous properties of Bichromate of Potash'
in 'Photography - in and out of the studio' Photographic News
January 10 1879
p. 13. 129. Advert for Thomas's Collodion from The Photographic News
January 3rd 1879 p. v 130. Advert for Marion and Co.
The Photographic News
November 14th
1879
p. ix; 5.3 Photography in relation to the other arts Headnote 5.3 131. John Ruskin letters to his father from Venice (7th October 1845) and to William Henry Harrison from Vevay (August 12th 1846). Modern Painters in The Works of John Ruskin eds. E.T Cook and Alexander Wedderburn (London: George Allen
1903)
p.210. 132. 'The Art of Photography'
Photographic Art Journal (vol 1) January 1851
pp.1-3 133. Cuthbert Bede
'Photography in an artistic light' Photographic Pleasures: popularly portrayed with pen and pencil
(London: Thomas McLean
1855)
pp. 32-34 134. 'Photography as a Fine Art'
The Illustrated Magazine of Art
Vol. 3
No. 13 (1854)
p. 1. 135. 'Photography'
The Crayon
Vol. 1
No. 11 (Mar. 14
1855)
p. 170. 136. International Exhibition 1862
Official Catalogue of the Industrial Department (third edn.) (London: Truscott
Son and Simmons
1862
) p. viii. 137. The Photographic Journal
(Journal of the Photographic Society of London) April 15 1861
pp. 149-50. 138. The Photographic Journal
(Journal of the Photographic Society of London) May 15 1861
pp. 171-174 139. Peter Henry Emerson 'Photography
Not Art'
Naturalistic Photography for Students of the Art (London : Dawbarn & Ward
1899)
pp.53-63. 5.4 Women and photography Headnote 5.4 140. 'Photography as an Employment for Women' The Englishwoman's Review July 01
1867
pp. 219-223 141. 'Photography at Home'
'The Experiences of a Lady Amateur - no.1' Funny Folks: A Weekly Budget of Funny Notes
Funny Pictures and Funny Stories
March 28
1885
p. 99. 142.'Photography at Home'
'The Experiences of a Lady Amateur - no.2' Funny Folks: A Weekly Budget of Funny Notes
Funny Pictures and Funny Stories
April 4 1885
p. 107. 143. 'Photography at Home'
'The Experiences of a Lady Amateur - no.3' Funny Folks: A Weekly Budget of Funny Notes
Funny Pictures and Funny Stories
April 18
1885
p. 123. 144. 'Photography at Home'
'The Experiences of a Lady Amateur - no.4' Funny Folks: A Weekly Budget of Funny Notes
Funny Pictures and Funny Stories April 25
1885
p. 131. 145. 'Social fads of the day' 'The Lady Amateur'
Funny Folks: A Weekly Budget of Funny Notes
Funny Pictures and Funny Stories
6th Feb 1892 p. 41. 146. Adeline Anning
'A Profession for Women: Photography'
The Woman's Signal
March 07
1895
p.149. 147. Ruth Young
'Photography as a profession for women'
Atalanta April 1
1898
p.407. 148. Amy Levy's The Romance of a Shop (London 1888). Extract taken from the first American edition (Boston: Cupples and Herd)
1889)
pp. 2-13. 149. Anon
'Mrs Julia Margaret Cameron' Womans Herald
April 4 1891
pp. 369-70. 5.5 Photography as a Hobby Headnote 5.5 150. Alfred C. Harmsworth
'How to take a photograph'
Young Folks Paper
May 01
1886
p. 278. 151. Advertisement for the Meritoire camera
The Dart
July 22nd 1887
p. 5 152. Advertisement for Marion's Amateur Photography
The County Gentleman: A Sporting Gazette and Agricultural Journal January 29
1887
p. 154. 153. Advertisement
'Free lessons in Photography'
The County Gentleman: A Sporting Gazette and Agricultural Journal
December 19
1885
p. 1626. 154'Cyclo-photography'
Cycling
May 13
1899; p. 370. 155. Horace Eckert
'Some Hobbies'
Pick-Me-Up
October 20
1900; p. 36. 5.6 The New Photography Headnote 5.6 156. 'The New Photography: Will it Stop Vivisection?'
The Woman's Signal
February 13
1896
pp. 97-98. 157. 'The New Photography'
Hearth and Home
February 20 1896
p. 552. 158. 'The New Photography'
Judy
or the London Serio-Comic Journal
26 Feb. 1896
p. 410 159. 'The New Photography and the lost Missionary who went on a visit into the Interior'
Judy: or the London Serio-Comic Journal
March 25 1896
p. 462. 160. 'The March of Science' Punch
or the London Charivari
March 7 1896
p.117 161. 'Awful possibilities of the new photography'
Illustrated Chips
25 Apr. 1896
p. 4. 162. 'The New Photography'
Illustrated Chips
25 July 1896
p. 1. 163. The New Photography'
Illustrated Chips
4 Apr. 1896
p.1 164. 'The New Photography'
Illustrated Chips
19 Dec. 1896
p. 7. 165. 'The New Light and the New Photography'
Nature
August 20 1896
p. cxxviii. Index