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A moving portrait of the young Vincent van Gogh - a hit in the West End and on Broadway. Winner of the Olivier Award for Best New Play.
Brixton, 1873. A brash young Dutchman rents a room in the house of an English widow. Three years later he returns to Europe on the first step of a journey which will end in breakdown, death and immortality.
Vincent in Brixton premiered at the National Theatre, London, in April 2002, before transferring to the West End.
'one of the best new plays ever presented by the National Theatre' > Sunday Times
'a brilliant portrait of the artist as a
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A moving portrait of the young Vincent van Gogh - a hit in the West End and on Broadway. Winner of the Olivier Award for Best New Play.

Brixton, 1873. A brash young Dutchman rents a room in the house of an English widow. Three years later he returns to Europe on the first step of a journey which will end in breakdown, death and immortality.

Vincent in Brixton premiered at the National Theatre, London, in April 2002, before transferring to the West End.

'one of the best new plays ever presented by the National Theatre' >Sunday Times

'a brilliant portrait of the artist as a young man' Guardian

'Nicholas Wright has convincingly imagined himself into the life of the 20-year-old Vincent van Gogh... superlative... An evening to savour' Evening Standard


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Autorenporträt
Nicholas Wright is a leading British playwright. His plays include: 8 Hotels (Minerva Theatre, Chichester, 2019); an adaptation of Patrick Hamilton's novel The Slaves of Solitude (Hampstead Theatre, 2017); an adaptation of Pat Barker's novel Regeneration (Royal & Derngate, Northampton, 2014); Travelling Light (National Theatre, 2012); The Last of the Duchess (Hampstead Theatre, 2011); Rattigan's Nijinsky (Chichester Festival Theatre, 2011); The Reporter (National Theatre, 2007); a version of Emile Zola's Therese Raquin (National Theatre, 2006); an adaptation of Philip Pullman's His Dark Materials (National Theatre, 2003-4); Vincent In Brixton (National Theatre, 2002; winner of the Olivier Award for Best New Play); a version of Luigi Pirandello's Naked (Almeida Theatre, 1998); and Mrs Klein (National Theatre & West End, 1988). His writing about the theatre includes Changing Stages: A View of British Theatre in the Twentieth Century, co-written with Richard Eyre.