This book presents and discusses the current debates in violence and war in culture and the media from five different disciplinary perspectives.
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Athina Karatzogianni is Lecturer in Media, Culture and Society at the University of Hull, UK. She is author of The Politics of Cyberconflict (2006), Power, Conflict and Resistance: Social Movements, Networks and Hierarchies with Andrew Robinson (2010), and editor of Cyber Conflict and Global Politics (2009).
Inhaltsangabe
1. Introduction: Violence and War in Culture and the Media through Five Disciplinary Lenses Athina Karatzogianni PART I: Through the Historical Lens 2. Perceptions of Violence in the Early Modern Communications Revolution: The Case of the Thirty Years War 1618-1648 Peter H. Wilson 3. Patrick Pécherot, Eugenics and the Occupation of France Angela Kimyongür 4. United States Army Chaplains and Pulp Magazines: Censorship in World War II Jenel Virden PART II: Through the Cultural Lens 5. Hidden Conflict, Visible World Keith Tester 6. The Ethics of Remembering: Little Big Man and the Exoneration of American Guilt James Aston 7. Loving Violence? The Ambiguities of SM Imagery in Contemporary Popular Culture Sarah Harper and Majid Yar PART III: Through the Sociological Lens 8. Defining the Victims of Terrorism: Competing Victim Frames Post 9/11 New York City and 11M, Madrid Cristina Flesher Fominaya and Rosemary Barberet 9. The Returns of War: Bodies, Images and Invented Ritual in the Returns of the War on Terror Michael S. Drake 10. Frames, Forums and Facebook: Interpretating British Muslim Understandings of Post-7/7 Militarist Media Narratives Lucy Michael PART IV: Through the Political Lens 11. The Israel-Hezbollah War and the Winograd Committee Raphael Cohen-Almagor and Sharon Haleva-Amir 12. Media Actors in War and Conflict: Insights from Political Psychology and the Bosnian War Maria Touri 13. Virilio and the Gaze of the State: Vision Machines, New Media and Resistance Andy Robinson 14. Blame it on the Russians: Tracking the Portrayal of Russian Hackers During Cyber Conflict Incidents Athina Karatzogianni PART V: Through the Gender Studies Lens 15. Making the Pain Count: Embodied Politics in the New Age of Terror Gillian Youngs 16. Corrective Rapes: Rape Narratives in South Africa Bev Orton
1. Introduction: Violence and War in Culture and the Media through Five Disciplinary Lenses Athina Karatzogianni PART I: Through the Historical Lens 2. Perceptions of Violence in the Early Modern Communications Revolution: The Case of the Thirty Years War 1618-1648 Peter H. Wilson 3. Patrick Pécherot, Eugenics and the Occupation of France Angela Kimyongür 4. United States Army Chaplains and Pulp Magazines: Censorship in World War II Jenel Virden PART II: Through the Cultural Lens 5. Hidden Conflict, Visible World Keith Tester 6. The Ethics of Remembering: Little Big Man and the Exoneration of American Guilt James Aston 7. Loving Violence? The Ambiguities of SM Imagery in Contemporary Popular Culture Sarah Harper and Majid Yar PART III: Through the Sociological Lens 8. Defining the Victims of Terrorism: Competing Victim Frames Post 9/11 New York City and 11M, Madrid Cristina Flesher Fominaya and Rosemary Barberet 9. The Returns of War: Bodies, Images and Invented Ritual in the Returns of the War on Terror Michael S. Drake 10. Frames, Forums and Facebook: Interpretating British Muslim Understandings of Post-7/7 Militarist Media Narratives Lucy Michael PART IV: Through the Political Lens 11. The Israel-Hezbollah War and the Winograd Committee Raphael Cohen-Almagor and Sharon Haleva-Amir 12. Media Actors in War and Conflict: Insights from Political Psychology and the Bosnian War Maria Touri 13. Virilio and the Gaze of the State: Vision Machines, New Media and Resistance Andy Robinson 14. Blame it on the Russians: Tracking the Portrayal of Russian Hackers During Cyber Conflict Incidents Athina Karatzogianni PART V: Through the Gender Studies Lens 15. Making the Pain Count: Embodied Politics in the New Age of Terror Gillian Youngs 16. Corrective Rapes: Rape Narratives in South Africa Bev Orton
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