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- An approach based upon self-learning and recognition of rhythmic and melodic patterns - Original tunes not abstract sight-reading exercises - 149 carefully graduated pieces in a range of musical styles - Five sections related to the technical development of the violinist - Tunes progress to eventually include all key signatures up to five sharps and flates; whole-tone, chromatic, modal and atonal elements are also incorporated - Each section concludes with duets and accompanied pieces for practice of ensemble sight-reading - Tunes range from Grade 4 to advanced
- An approach based upon self-learning and recognition of rhythmic and melodic patterns - Original tunes not abstract sight-reading exercises - 149 carefully graduated pieces in a range of musical styles - Five sections related to the technical development of the violinist - Tunes progress to eventually include all key signatures up to five sharps and flates; whole-tone, chromatic, modal and atonal elements are also incorporated - Each section concludes with duets and accompanied pieces for practice of ensemble sight-reading - Tunes range from Grade 4 to advanced
John Kember studied at Trinity College of Music, London and has enjoyed a varied career in both performing and academic spheres, ranging from teaching in schools and privately, to working as composer, arranger, pianist and conductor in Concert Halls, theatres and recording studios. Currently John is working on a number of new and exciting projects for both publication and performance. He has a busy private teaching practice in south east London and teaches for Kent Music School and the Kent Centre for Young Instrumentalists in Maidstone. John was an examiner for the Associated Board of the Royal Schools of Music from 1989 until 2005
Inhaltsangabe
Preface - To the pupil - Section 1: - Revision - Solos - Duets - Accompanied pieces - Section 2: - Introducting the keys of Eb and Ab major; tone and semitone shifts - Solos - Duets - Accompanied pieces - Section 3: - New keys of C minor and F minor - Solos - Duets - Accompanied pieces - Section 4: - Introducing Db major and B major; 5/4, 5/8 and 7/8 time; ornaments - Solos - Duets - Accompanied pieces - Section 5: - Jigs, reels, time changes, various styles and tonalities - Solos - Duets - Accompanied pieces - Glossary
Aus dem Inhalt: Vorwort - An den Schüler - Teil 1: - Wiederholung - Solos - Duette - Begleitete Musikstücke - Teil 2: - Einführung der Tonarten Es-Dur und As-Dur; Lagenwechsel in Ganzton- und Halbtonschritten - Solos - Duette - Begleitete Musikstücke - Teil 3: - Neue Tonarten: c-Moll und f-Moll - Solos - Duette - Begleitete Musikstücke - Teil 4: - Einführung der Tonarten Des-Dur und H-Dur; Der 5/4-, 5/8- und 7/8-Takt; Verzierungen - Solos - Duette - Begleitete Musikstücke - Teil 5: - Jigs, Reels, Taktwechsel, verschiedene Stile und Tonarten - Solos - Duette - Begleitete Musikstücke - Glossar
Preface - To the pupil - Section 1: - Revision - Solos - Duets - Accompanied pieces - Section 2: - Introducting the keys of Eb and Ab major; tone and semitone shifts - Solos - Duets - Accompanied pieces - Section 3: - New keys of C minor and F minor - Solos - Duets - Accompanied pieces - Section 4: - Introducing Db major and B major; 5/4, 5/8 and 7/8 time; ornaments - Solos - Duets - Accompanied pieces - Section 5: - Jigs, reels, time changes, various styles and tonalities - Solos - Duets - Accompanied pieces - Glossary
Aus dem Inhalt: Vorwort - An den Schüler - Teil 1: - Wiederholung - Solos - Duette - Begleitete Musikstücke - Teil 2: - Einführung der Tonarten Es-Dur und As-Dur; Lagenwechsel in Ganzton- und Halbtonschritten - Solos - Duette - Begleitete Musikstücke - Teil 3: - Neue Tonarten: c-Moll und f-Moll - Solos - Duette - Begleitete Musikstücke - Teil 4: - Einführung der Tonarten Des-Dur und H-Dur; Der 5/4-, 5/8- und 7/8-Takt; Verzierungen - Solos - Duette - Begleitete Musikstücke - Teil 5: - Jigs, Reels, Taktwechsel, verschiedene Stile und Tonarten - Solos - Duette - Begleitete Musikstücke - Glossar
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