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This book focuses on how visual records - mainly on film or video - can provide data for research and presents a variety of visual projects drawn from ethnographic fieldwork in Indonesia.
This book focuses on how visual records - mainly on film or video - can provide data for research and presents a variety of visual projects drawn from ethnographic fieldwork in Indonesia.
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Karl G. Heider is Carolina Distinguished Professor of Anthropology (Emeritus) at the University of South Carolina, USA.
Inhaltsangabe
Introduction: The Place of Visuals in Anthropological Research Part I: Visual Research Projects 1 Microcultural Incidents in Minangkabau Children's Emotion Behavior 2 Dead Birds Revisited: Rethinking Emotion in a New Guinea Dani Funeral 3 Comparing Styles of Teaching and Learning in Some South Carolina and West Sumatra Kindergartens: Video-Cued Multivocalic Ethnography (with Louise Jennings) 4 Three Styles of Play: New Guinea Dani, Central Java, and Micronesia 5 Nonverbal Studies of Dani Anger and Sexual Expression: Experimental Method in Videotape Ethnography Part II: Exploring Indonesian Cinema 6 National Cinema, National Culture 7 Analyzing Emotion in Scenes from Indonesian Cinema 8 Culture and Cinema in Indonesia: Teguh Karya's Doea Tanda Mata 9 Banana Peels: Visual Conventions in Indonesian Movies 10 Anger in Indonesian Cinema 11 Order and Disorder in Indonesian Genre Films and National Politics Appendix Other Uses of Visuals, Fragments and Suggestions Excerpt One: Above the Fold: Early Twentieth Century Front Page Anger Excerpt Two: Still Photographs Excerpt Three: Life Story: Dr. Mochtar Naim Excerpt Four: Ethnographic Shorts
Introduction: The Place of Visuals in Anthropological Research; Part I: Visual Research Projects; 1 Microcultural Incidents in Minangkabau Children's Emotion Behavior; 2 Dead Birds Revisited: Rethinking Emotion in a New Guinea Dani Funeral; 3 Comparing Styles of Teaching and Learning in Some South Carolina and West Sumatra Kindergartens: Video-Cued Multivocalic Ethnography (with Louise Jennings); 4 Three Styles of Play: New Guinea Dani, Central Java, and Micronesia; 5 Nonverbal Studies of Dani Anger and Sexual Expression: Experimental Method in Videotape Ethnography; Part II: Exploring Indonesian Cinema; 6 National Cinema, National Culture; 7 Analyzing Emotion in Scenes from Indonesian Cinema; 8 Culture and Cinema in Indonesia: Teguh Karya's Doea Tanda Mata; 9 Banana Peels: Visual Conventions in Indonesian Movies; 10 Anger in Indonesian Cinema; 11 Order and Disorder in Indonesian Genre Films and National Politics; Appendix; Other Uses of Visuals, Fragments and Suggestions; Excerpt One: Above the Fold: Early Twentieth Century Front Page Anger; Excerpt Two: Still Photographs; Excerpt Three: Life Story: Dr. Mochtar Naim; Excerpt Four: Ethnographic Shorts
Introduction: The Place of Visuals in Anthropological Research Part I: Visual Research Projects 1 Microcultural Incidents in Minangkabau Children's Emotion Behavior 2 Dead Birds Revisited: Rethinking Emotion in a New Guinea Dani Funeral 3 Comparing Styles of Teaching and Learning in Some South Carolina and West Sumatra Kindergartens: Video-Cued Multivocalic Ethnography (with Louise Jennings) 4 Three Styles of Play: New Guinea Dani, Central Java, and Micronesia 5 Nonverbal Studies of Dani Anger and Sexual Expression: Experimental Method in Videotape Ethnography Part II: Exploring Indonesian Cinema 6 National Cinema, National Culture 7 Analyzing Emotion in Scenes from Indonesian Cinema 8 Culture and Cinema in Indonesia: Teguh Karya's Doea Tanda Mata 9 Banana Peels: Visual Conventions in Indonesian Movies 10 Anger in Indonesian Cinema 11 Order and Disorder in Indonesian Genre Films and National Politics Appendix Other Uses of Visuals, Fragments and Suggestions Excerpt One: Above the Fold: Early Twentieth Century Front Page Anger Excerpt Two: Still Photographs Excerpt Three: Life Story: Dr. Mochtar Naim Excerpt Four: Ethnographic Shorts
Introduction: The Place of Visuals in Anthropological Research; Part I: Visual Research Projects; 1 Microcultural Incidents in Minangkabau Children's Emotion Behavior; 2 Dead Birds Revisited: Rethinking Emotion in a New Guinea Dani Funeral; 3 Comparing Styles of Teaching and Learning in Some South Carolina and West Sumatra Kindergartens: Video-Cued Multivocalic Ethnography (with Louise Jennings); 4 Three Styles of Play: New Guinea Dani, Central Java, and Micronesia; 5 Nonverbal Studies of Dani Anger and Sexual Expression: Experimental Method in Videotape Ethnography; Part II: Exploring Indonesian Cinema; 6 National Cinema, National Culture; 7 Analyzing Emotion in Scenes from Indonesian Cinema; 8 Culture and Cinema in Indonesia: Teguh Karya's Doea Tanda Mata; 9 Banana Peels: Visual Conventions in Indonesian Movies; 10 Anger in Indonesian Cinema; 11 Order and Disorder in Indonesian Genre Films and National Politics; Appendix; Other Uses of Visuals, Fragments and Suggestions; Excerpt One: Above the Fold: Early Twentieth Century Front Page Anger; Excerpt Two: Still Photographs; Excerpt Three: Life Story: Dr. Mochtar Naim; Excerpt Four: Ethnographic Shorts
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