Moxey Keith Moxey

Visual Time (eBook, PDF)

The Image in History

• Format: PDF

Produktbeschreibung

Visual Time offers a rare consideration of the idea of time in art history. Non-Western art histories currently have an unprecedented prominence in the discipline. To what extent are their artistic narratives commensurate with those told about Western art? Does time run at the same speed in all places? Keith Moxey argues that the discipline of art history has been too attached to interpreting works of art based on a teleological categorization-demonstrating how each work influences the next as part of a linear sequence-which he sees as tied to Western notions of modernity. In contrast, he emphasizes how the experience of viewing art creates its own aesthetic time, where the viewer is entranced by the work itself rather than what it represents about the historical moment when it was created. Moxey discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Durer, Matthias Grunewald, and Hans Holbein. In the process, he addresses the phenomenological turn in the study of the image, its application to the understanding of particular artists, the ways verisimilitude eludes time in both the past and the present, and the role of time in nationalist accounts of the past.

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Produktdetails

• Verlag: Duke University Press
• Seitenzahl: 221
• Erscheinungstermin: 17. Juni 2013
• Englisch
• ISBN-13: 9780822395935
• Artikelnr.: 54675180

Autorenporträt

Keith Moxey is Barbara Novak Professor of Art History at Barnard College and Columbia University. He is the author of many books, including The Practice of Persuasion: Paradox and Power in Art History; The Practice of Theory: Poststructuralism, Cultural Politics, and Art History; and Peasants, Warriors, and Wives: Popular Imagery in the Reformation.

Inhaltsangabe

List of Illustrations ix
Acknowledgments xi
Introduction 1
Part I. Time 9
1. Is Modernity Multiple? 11
2. Do We Still Need a Renaissance? 23
3. Contemporaneity's Heterochronicity 37
Part II. History 51
4. Visual Studies and the Iconic Turn 53
5. Bruegel's Crows 77
6. Mimesis and Iconoclasm 107
7. Impossible Distance 139
Conclusion 173
Bibliography 177
Index 199