Vital Signs offers a radical new understanding of the role of psychoanalytic theory in contemporary French thought. Drawing on the work of Lacan, Kristeva, Foucault, and lesser-known thinkers Eugenie Lemoine-Luccioni and Catherine Millot, Shepherdson argues that we have misinterpreted the nature/culture distinction in relation to psychoanalysis. He shows that how the constitution of subject, and the phenomenon of the body, are irreducible to this distinction, and argues that the reception of French psychoanalysis has been wrongly governed by the debate between biological models and symbolic theories of social construction.
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