Bette Howland

W-3 (eBook, ePUB)

A Memoir

• Format: ePub

Produktbeschreibung

'Dazzlingly and daringly written' Rachel Cooke, Observer

W-3 is a small psychiatric ward in a large university hospital, a world of pills and passes dispensed by an all-powerful staff, a world of veteran patients with grab-bags of tricks, a world of dishevelled, moment-to-moment existence on the edge of permanence.

Bette Howland was one of those patients. In 1968, Howland was thirty-one, a single mother of two young sons, struggling to support her family on the part-time salary of a librarian; and labouring day and night at her typewriter to be a writer. One afternoon, while staying at her friend Saul Bellow's apartment, she swallowed a bottle of pills.

W-3 is a vivid - and often surprisingly funny - portrait of the extraordinary community of Ward 3 and a record of a defining moment in a writer's life. The book itself would be her salvation: she wrote herself out of the grave.

Originally published in 1974 and rediscovered forty years later, this is the first edition of W-3 to be published in the UK. With an original introduction by Yiyun Li, author of Where Reasons End.

'W-3 is one hell of a debut' Lucy Scholes, Paris Review

'Howland is finally getting the recognition that she deserves' Sarah Hughes, iNews

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Produktdetails

• Verlag: Pan Macmillan
• Seitenzahl: 224
• Altersempfehlung: ab 18 Jahre
• Erscheinungstermin: 24. Juni 2021
• Englisch
• ISBN-13: 9781529035933
• Artikelnr.: 60927589

Autorenporträt

Bette Howland (1937-2017) was the author of three books: W-3, Blue in Chicago, and Things to Come and Go. She received a MacArthur Fellowship in 1984, after which, though she continued writing, she would not publish another book. Near the end of her life, her stories found new readers when a portfolio of her work appeared in a special issue of A Public Space magazine exploring a generation of women writers, their lifetimes of work, and questions of anonymity and public attention in art.

Rezensionen

The voice is cool and the gaze is clear . . . a startlingly frank account of mental illness, and the contradictions and humiliations of life as a patient . . . akin to a fly-on-the-wall documentary. Martha Gill The Times