It analyzes how advancements in camera technology have impacted the types of images produced and examines the ethical dilemmas faced by war photographers, such as consent and censorship. Furthermore, it investigates how governments and factions have used photography to influence public opinion and mobilize support for military action, showing how visual communication can be a powerful tool. The book progresses by first introducing the earliest forms of war photography and then developing major points across technological evolution, ethical considerations, and photography as propaganda.
Through visual analysis, historical contextualization, and comparative studies, War Photography offers insights into critically engaging with war-related imagery and resisting manipulative narratives.
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