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Canada's master playwright applies his trademark black humour and incredibly crisp dialogue to the family and multiculturalism.
We the Family follows the ripple effects within two culturally and racially divergent families when their children wed. The list of characters in We the Family reads like an ethnic joke, which, indeed, it is, at least in part: the son of the main characters, David and Lizzie Kaplan, a Jewish-Irish-Catholic mixed marriage, marries the daughter of Jenny Lee, a Chinese-Canadian widow. The supporting cast includes a Russian, a Palestinian, and an Italian, with…mehr

Produktbeschreibung
Canada's master playwright applies his trademark black humour and incredibly crisp dialogue to the family and multiculturalism.

We the Family follows the ripple effects within two culturally and racially divergent families when their children wed. The list of characters in We the Family reads like an ethnic joke, which, indeed, it is, at least in part: the son of the main characters, David and Lizzie Kaplan, a Jewish-Irish-Catholic mixed marriage, marries the daughter of Jenny Lee, a Chinese-Canadian widow. The supporting cast includes a Russian, a Palestinian, and an Italian, with Pakistanis, Sicilians, and still more Russians offstage in the wings.

By the end of the play, Walker has deconstructed the dysfunctional Kaplan and Lee families and family love as well. Through the play's pervading treachery, with family members and lovers betraying each other in horrific ways, he satirizes the hypocrisy of expounding family values while behaving with vicious preoccupation. These hyphenated Canadians certainly aren't "nice," and no quantity of "sweet-and-sour matzah balls" (which the Kaplan matriarch serves at the multicultural wedding reception) can hide the nasty taste.

Cast of 3 men and 7 women.


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Autorenporträt
George F. Walker is one of Canada's most prolific and popular playwrights. He has written more than twenty plays and has created screenplays for several award-winning Canadian TV series.

During a ten-year absence, he mainly wrote for television, including the television series Due South, The Newsroom, This Is Wonderland, and The Line, as well as for the film Niagara Motel (based on three plays from his Suburban Motel series). Walker returned to the theater with And So It Goes (2010). Since that time he has published King of Thieves (2013); Dead Metaphor (2015, a series of three plays that include Dead Metaphor, The Ravine, and The Burden of Self Awareness); and Moss Park and Tough! The Bobby and Tina Plays (2015). After Class, a series of plays that address education and parenting, will be published in 2017.

Awards and honours include investiture as a Member of the Order of Canada (2005); National Theatre School Gascon-Thomas Award (2002); two Governor General's Literary Awards for Drama (for Criminals in Love and Nothing Sacred); five Dora Mavor Moore Awards; and eight Chalmers Canadian Play Awards.