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In The Wedding Feast an idealistic, altruistic shoe manufacturer arrives at an employee's wedding, with disastrous consequences. One More Ride on the Merry-Go-Round features a comic plot involving academics who get high on a hash birthday cake, a recalcitrant daughter, and the appearance of an illegitimate son who is a magician. In Groupie 61-year-old Mattie Beancourt is shocked to discover her idol, the famous painter Mark Gorman, living alone in near poverty. She is sunny, he is curmudgeonly and the impact of their friendship is startling. Set against a scene of defiant old age, The Old Ones…mehr
In The Wedding Feast an idealistic, altruistic shoe manufacturer arrives at an employee's wedding, with disastrous consequences. One More Ride on the Merry-Go-Round features a comic plot involving academics who get high on a hash birthday cake, a recalcitrant daughter, and the appearance of an illegitimate son who is a magician. In Groupie 61-year-old Mattie Beancourt is shocked to discover her idol, the famous painter Mark Gorman, living alone in near poverty. She is sunny, he is curmudgeonly and the impact of their friendship is startling. Set against a scene of defiant old age, The Old Ones examines the eccentric rituals of old age and plays out the conflict between the optimistic and pessimistic spirit.
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Autorenporträt
Arnold Wesker F.R.S.L was knighted in 2006 for 'services to drama'. He has written over forty-three plays, two opera libretti, various mechanical adaptations; four volumes of short stories, a children's book, and a novel; two volumes of essays, an autobiography, a diary,and a book on journalism; and recently his first volume of poetry. His plays have been produced in cities from Rio de Janeiro to Tokyo, from Paris to Moscow, from Montreal to Zurich, and The Kitchen - his most performed play has been performed yearly somewhere or other around the world for the last fifty years, and recently was revived by The National Theatre in 2011. Arnold Wesker was the recently featured in the Guardian ahead of revivals of his plays Chicken Soup With Barley (The Royal Court) and The Kitchen (The National Theatre): Guardian interview Arnold Wesker
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