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Since the death of her best friend Grace, twenty-six-year-old Eve has learned to keep everything and everyone at arm's length. Safe in her detachment, she scrapes along waiting tables and cleaning her flat in exchange for cheap rent, finding solace in her small routines.
But when a chance encounter at work brings her past thundering into her present, Eve becomes consumed by painful memories of Grace. And soon her precariously maintained life begins to unravel: she loses her job, gets thrown out of her flat, and risks pushing away the one decent man who cares about her.
Taking up
…mehr

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Produktbeschreibung
Since the death of her best friend Grace, twenty-six-year-old Eve has learned to keep everything and everyone at arm's length. Safe in her detachment, she scrapes along waiting tables and cleaning her flat in exchange for cheap rent, finding solace in her small routines.

But when a chance encounter at work brings her past thundering into her present, Eve becomes consumed by painful memories of Grace. And soon her precariously maintained life begins to unravel: she loses her job, gets thrown out of her flat, and risks pushing away the one decent man who cares about her.

Taking up life-modelling to pay the bills, Eve lays bare her body but keeps hidden the mounting chaos inside her head. When her self-destructive urges spiral out of control, she's forced to confront the traumatic event that changed the course of her life, and to finally face her grief and guilt.


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Autorenporträt
Chloë Ashby is an author and arts critic who has written for publications such as the Times, TLS, Guardian, FT Life & Arts, Spectator and frieze. She is the author of Colours of Art: The Story of Art in 80 Palettes, a Times best book of 2022. She lives in London. Wet Paint was her debut novel and Second Self is her second.