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This book is a portrait of the period when modern art became contemporary art. It explores how and why writers and artists in Australia argued over the idea of a distinctively Australian modern and then postmodern art between 1962.

Produktbeschreibung
This book is a portrait of the period when modern art became contemporary art. It explores how and why writers and artists in Australia argued over the idea of a distinctively Australian modern and then postmodern art between 1962.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Charles Green is Professor of Contemporary Art at the University of Melbourne, author of Peripheral Vision: Contemporary Australian Art (1995), The Third Hand: Artist Collaborations from Conceptualism to Postmodernism (2001) and (with Anthony Gardner) Biennials, Triennials, and documenta (2016). He is also an artist, working in collaboration with Lyndell Brown.

Heather Barker is an independent scholar and artist.