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  • Format: ePub

Manfred, a surly mountaineer recently abandoned by his wife, rents the upstairs apartment in his home in the Dolomites to Marina, a woman from the city, and her difficult young son. Deeply suspicious by nature, especially of women, Manfred spies obsessively on Marina, in whose shortcomings as a mother he finds resonances of his own mother's desertion of him in childhood. When Marina's frustration over her son's refusal to eat or sleep leads her to harm the child, Manfred steps in, and the silent power struggle between them escalates. Yet Manfred's attraction to Marina is as powerful as his…mehr

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Produktbeschreibung
Manfred, a surly mountaineer recently abandoned by his wife, rents the upstairs apartment in his home in the Dolomites to Marina, a woman from the city, and her difficult young son. Deeply suspicious by nature, especially of women, Manfred spies obsessively on Marina, in whose shortcomings as a mother he finds resonances of his own mother's desertion of him in childhood. When Marina's frustration over her son's refusal to eat or sleep leads her to harm the child, Manfred steps in, and the silent power struggle between them escalates. Yet Manfred's attraction to Marina is as powerful as his distrust. In this alternately shocking and moving novel, Cristina Comencini has created a complex, psychologically profound portrait of two damaged, vulnerable people and the painful bond that develops between them as they are drawn into each other's worlds.

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Autorenporträt
Cristina Comencini is an Italian novelist, screenwriter, and director. Her 2005 film, based on her novel La bestia nel cuore, was nominated for an Academy Award for Best Foreign Language Film. She is currently finishing her film adaptation of When the Night. Marina Harss studied comparative literature and translation at Harvard and New York University. Her translations include Pier Paolo Pasolini's Stories from the City of God (Other Press), as well as Conjugal Love and Two Friends, both by Alberto Moravia. Her translations have appeared in The Latin American Review, Bomb, and Brooklyn Rail.