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Where I Live combines Arundhathi Subramaniam's first two Indian collections of poetry, On Cleaning Bookshelves and Where I Live, with a selection of new work. Her poems explore various ambivalences - around human intimacy with its bottlenecks and surprises, life in a Third World megalopolis, myth, the politi of culture and gender, and the persistent trope of the existential journey. They probe contradictory impulses: the desire for adventure and anchorage; expansion and containment; vulnerability and strength; freedom and belonging; withdrawal and engagement; an approach to language as…mehr
Where I Live combines Arundhathi Subramaniam's first two Indian collections of poetry, On Cleaning Bookshelves and Where I Live, with a selection of new work. Her poems explore various ambivalences - around human intimacy with its bottlenecks and surprises, life in a Third World megalopolis, myth, the politi of culture and gender, and the persistent trope of the existential journey. They probe contradictory impulses: the desire for adventure and anchorage; expansion and containment; vulnerability and strength; freedom and belonging; withdrawal and engagement; an approach to language as exciting resource and desperate refuge. Her new poems are a meditation on desire - in which the sensual and sacred mingle inextricably. There is a fascination with the skins that separate self from other, self from self, thing from no-thing. These are poems of dark need, of urgency, of desire as derailment, and derailment as possibility. 'This is writing that creeps up on the reader quietly, sometimes with just the whisper of a sari, or the taste of a lullaby, and yet spins suddenly on the edge of stark recognition. Arundhathi Subramaniam's is a strong new voice' - Imtiaz Dharker 'A marvellous collection, wonderfully varied and rich' - John Burnside 'Subramaniam's poetry is one of illumination. She flashes a pencil-torchlight on a subject, and suddenly you feel you are the richer for it' Even more than precision, what defines her verse is its subtlety and the angle of vision from which she sees life' - Keki Daruwalla
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Arundhathi Subramaniam is an award-winning poet and writer on spirituality and culture. Winner of the inaugural Khushwant Singh Memorial Prize for Poetry in 2015, the Raza Award for Poetry and the International Piero Bigongiari Prize, she divides her time between Bombay and New York. She has published two previous books of poetry in Britain with Bloodaxe, Where I Live: New & Selected Poems (2009), which combines selections from her first two Indian collections, On Cleaning Bookshelves and Where I Live, with new work, and When God Is a Traveller (2014), a Poetry Book Society Choice which was shortlisted for the T.S. Eliot Prize, won the inaugural Khushwant Singh Prize at the Jaipur Literary Festival, and was awarded the International Piero Bigongiari Prize in Italy. Her latest collection, Love Without a Story, is published by Bloodaxe in 2020. She has also written The Book of Buddha (Penguin, 2005) and Sadhguru: More Than a Life (Penguin, 2010), co-edited Confronting Love (Penguin, 2005), an anthology of Indian love poems in English, and edited Pilgrim's India: An Anthology (Penguin, 2011) and Eating God: A Book of Bhakti Poetry (2014). In 2006 she appeared at London's Poetry International festival and gave readings throughout Britain on a tour organised by the Poetry Society. She also took part in the T.S. Eliot Prize reading at London's Southbank Centre in January 2015.
Inhaltsangabe
"Arundhathi Subramaniam has already won acclaim as a poet of integrity... There is a beautiful uncertainty about her poems... intimately physical intense enough to scald and char along with a will to withdraw to renounce... unhibitedly sensual while still yearning for transcendence. This ambivalence combined with a sense of wonder of unexpectedness of moods as well as words is what marks her apart." - K. Satchidanandan Frontline [on Where God Is a Traveller]
"Arundhathi Subramaniam has already won acclaim as a poet of integrity... There is a beautiful uncertainty about her poems... intimately physical intense enough to scald and char along with a will to withdraw to renounce... unhibitedly sensual while still yearning for transcendence. This ambivalence combined with a sense of wonder of unexpectedness of moods as well as words is what marks her apart." - K. Satchidanandan Frontline [on Where God Is a Traveller]
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