Remakes were a typical phenomenon in public cinema during the Adenauer era. This has been the general consensus in research for years. The production of remakes fed off a myriad of materials and screenplays filmed under the National Socialists. There is thus a direct link to the popular culture of National Socialism. At the same time, remakes - i.e., new productions of old films - highlight the poles spanning traditional reference and change. For the first time ever, this study systematises and analyses these remakes of Nazi films within their structural framework and questions both the transitions that occurred over the course of the 1950s and the relationship between the National Socialist public cinema and that in the nascent Federal Republic.
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