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Wieland, named by his father after a German nickname for the devil, inherits both his father's estate and religious susceptibility. His idyllic rural life is disrupted when he falls prey to the ventriloquist Carwin, who convinces Wieland that a divine voice is commanding him to slaughter his family. He is tried for the murders of his wife and children, for which he expresses no remorse. He later escapes prison in an attempt to kill his sister Clara, who narrates the story. Clara and Carwin have an ambiguous relationship of attraction and repulsion. Brown's work was an important precursor to such Gothic masters as Edgar Allan Poe and Mary Shelley.…mehr

Produktbeschreibung
Wieland, named by his father after a German nickname for the devil, inherits both his father's estate and religious susceptibility. His idyllic rural life is disrupted when he falls prey to the ventriloquist Carwin, who convinces Wieland that a divine voice is commanding him to slaughter his family. He is tried for the murders of his wife and children, for which he expresses no remorse. He later escapes prison in an attempt to kill his sister Clara, who narrates the story. Clara and Carwin have an ambiguous relationship of attraction and repulsion. Brown's work was an important precursor to such Gothic masters as Edgar Allan Poe and Mary Shelley.

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Autorenporträt
Charles Brockden Brown (1771 - 1810), an American novelist, historian, and editor of the Early National period, is generally regarded by scholars as the most important American novelist before James Fenimore Cooper. He is the most frequently studied and republished practitioner of the "early American novel," or the US novel between 1789 and roughly 1820. Although Brown was not the first American novelist, as some early criticism claimed, the breadth and complexity of his achievement as a writer in multiple genres (novels, short stories, essays and periodical writings of every sort, poetry, historiography, reviews) makes him a crucial figure in US literature and culture of the 1790s and first decade of the 19th century, and a significant public intellectual in the wider Atlantic print culture and public sphere of the era of the French Revolution.