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In the 1970s, Southern Africa became the major locale for African filmmaking with an increasing use of the Kalahari Desert, Okavango Delta and Kruger Park area. This study examines the relationship between filmmaking in Southern Africa and international broadcasters and audiences, and argues that previous accounts have neglected the importance of innovations from Southern Africa.
In the 1970s, Southern Africa became the major locale for African filmmaking with an increasing use of the Kalahari Desert, Okavango Delta and Kruger Park area. This study examines the relationship between filmmaking in Southern Africa and international broadcasters and audiences, and argues that previous accounts have neglected the importance of innovations from Southern Africa.
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Autorenporträt
Ian Glenn is Emeritus Professor of Media Studies at the University of Cape Town and the author of First Safari: Searching for Francois Levaillant.
Inhaltsangabe
Introduction: The social, political and technological background Chapter 1: The Kruger and the politics of conservation Chapter 2: Catching rhinos: from Ian Player to John Wayne Chapter 3: East to South: why African wildlife filmmaking moved from East to Southern Africa Chapter 4: Alan Root in Kenya and the Bartletts in Southern Africa Chapter 5: Michael Rosenberg and cultural brokering Chapter 6: David and Carol Hughes Chapter 7: Dieter Plage and South West Africa Chapter 8: John Varty and the role of the private lodge Chapter 9: Technology transfers and local innovations Chapter 10: The new millennium: Kim Wolhuter, the Jouberts and Mad Mike and Mark Chapter 11: The future of the genre?: WildEarth television and the attractions of wildlife live Conclusion.
Introduction: The social, political and technological background Chapter 1: The Kruger and the politics of conservation Chapter 2: Catching rhinos: from Ian Player to John Wayne Chapter 3: East to South: why African wildlife filmmaking moved from East to Southern Africa Chapter 4: Alan Root in Kenya and the Bartletts in Southern Africa Chapter 5: Michael Rosenberg and cultural brokering Chapter 6: David and Carol Hughes Chapter 7: Dieter Plage and South West Africa Chapter 8: John Varty and the role of the private lodge Chapter 9: Technology transfers and local innovations Chapter 10: The new millennium: Kim Wolhuter, the Jouberts and Mad Mike and Mark Chapter 11: The future of the genre?: WildEarth television and the attractions of wildlife live Conclusion.
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