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Bringing together the best key recent writing on Blake, this collection examines him as poet, prophet, social and political critic of his times and visual artist. A number of approaches are represented including Marxist, psychoanalytic, feminist, and deconstructionalist, and these works ultimately affirm Blake as one of the great original geniuses of English art. The essays have been chosen to reveal the contemporary nature of Blake's concerns and to alert the reader to the variety of good criticism devoted to him.
Bringing together the best key recent writing on Blake, this collection examines him as poet, prophet, social and political critic of his times and visual artist. A number of approaches are represented including Marxist, psychoanalytic, feminist, and deconstructionalist, and these works ultimately affirm Blake as one of the great original geniuses of English art. The essays have been chosen to reveal the contemporary nature of Blake's concerns and to alert the reader to the variety of good criticism devoted to him.
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Reverend John Lucas has been called by God to pray for the sick and teach people and healing teams how to pray specifically and supernaturally. He has developed powerful healing prayers to use to pray for people in need and the places where they live. He has given seminars around Australia, in India and Kenya.
Inhaltsangabe
General Editors' Preface Acknowledgements 1. Introduction "Mad" Blake Marxist Criticism i) Blake and the Radical Tradition ii) London "History From the Bottom Up" and the New Historicism Blake and Art Criticism Language and Deconstruction Reader-Response Theory 2. E.P Thompson, "The Divine Image" 3. John Mee, "Dangerous Enthusiasm" 4. David Erdman, "Infinite London" 5. Stewart Crehan, "Producers and Devourers" 6. Susan Matthews, "Jerusalem and Nationalism" 7. John Barrell, "'Original', 'Character' and 'Individual'" 8. Kathleen Raine, "A New Mode of Printing" 9. Brenda S. Webster, "Blake, Women, and Sexuality" 10. Gerda S. Norvig, "Female Subjectivity and the Desire of Reading (in)to Balke's Book of Thel" 11. Michael Simpson, "Who Didn't Kill Blake's Fly: Moral Law and the Rule of Grammar in Songs of Experience" 12. Matt Simpson, "Blake's Songs of Innocence and Experience" Notes on Authors Further Reading Index
General Editors' Preface Acknowledgements 1. Introduction "Mad" Blake Marxist Criticism i) Blake and the Radical Tradition ii) London "History From the Bottom Up" and the New Historicism Blake and Art Criticism Language and Deconstruction Reader-Response Theory 2. E.P Thompson, "The Divine Image" 3. John Mee, "Dangerous Enthusiasm" 4. David Erdman, "Infinite London" 5. Stewart Crehan, "Producers and Devourers" 6. Susan Matthews, "Jerusalem and Nationalism" 7. John Barrell, "'Original', 'Character' and 'Individual'" 8. Kathleen Raine, "A New Mode of Printing" 9. Brenda S. Webster, "Blake, Women, and Sexuality" 10. Gerda S. Norvig, "Female Subjectivity and the Desire of Reading (in)to Balke's Book of Thel" 11. Michael Simpson, "Who Didn't Kill Blake's Fly: Moral Law and the Rule of Grammar in Songs of Experience" 12. Matt Simpson, "Blake's Songs of Innocence and Experience" Notes on Authors Further Reading Index
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