William Langland's Piers Plowman (eBook, PDF)
A Book of Essays
Redaktion: Hewett-Smith, Kathleen M.
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William Langland's Piers Plowman (eBook, PDF)
A Book of Essays
Redaktion: Hewett-Smith, Kathleen M.
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This collection of newly written essays provides a fresh examination of some of the issues central to the study of this poem, including an exploration of its relevance to contemporary literary theory and to 14th century culture and ideology.
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This collection of newly written essays provides a fresh examination of some of the issues central to the study of this poem, including an exploration of its relevance to contemporary literary theory and to 14th century culture and ideology.
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Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 225
- Erscheinungstermin: 13. September 2013
- Englisch
- ISBN-13: 9781135652821
- Artikelnr.: 39909524
- Verlag: Taylor & Francis
- Seitenzahl: 225
- Erscheinungstermin: 13. September 2013
- Englisch
- ISBN-13: 9781135652821
- Artikelnr.: 39909524
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Kathleen M. Hewett-Smith, ,
Introduction; Part 1 Piers Plowman in Context; Chapter 1 Making History
Legal: Piers Plowman and the Rebels of Fourteenth-Century England 1
Previous versions of this essay were presented before marvelously
challenging and encouraging audiences at the University Seminar at Columbia
University, November 11, 1997; and as a Visiting Faculty Lecturer at the
University of Illinois at Urbana-Champagne, March 8, 1998. I thank
Professors Christopher Baswell at Columbia and Lori Newcomb, Charles
Wright, and Lisa Lampert at Urbana-Champagne for these opportunities and
for their warm hospitality., Andrew Galloway; Chapter 2 The Luxury of
Gender: Piers Plowman B.9 and the Merchant's Tale 1 This essay has been
developed from our discussion of this passus and tale during a seminar at
the NEH Chaucer and Langland Institute, University of Colorado, Boulder,
July 1995. We are indebted to the directors of the Institute, C. David
Benson, Elizabeth Robertson, and James Simpson, for providing the impetus
to read Chaucer and Langland together. We thank Professor Simpson and
fellow participant Kathleen Hewett-Smith for their input at various stages
in this project. The essay first appeared in and is reprinted with
permission from the Yearbook of Langland Studies 12 (1998): 31-64., Joan
Baker, Susan Signe Morrison; Chapter 3 Langland's Romances, Stephen H. A.
Shepherd; Chapter 4 The Langland Myth, C. David Benson; Part 2 The Poetry
of Piers Plowman; Chapter 5 Langland's Mighty Line, Stephen A. Barney;
Chapter 6 Chaucer and Langland as Religious Writers, O. P. Mary Clemente
Davlin; Part 3 Through the Lens of Theory; Chapter 7 The Power of
Impropriety: Authorial Naming in Piers Plowman, James Simpson; Chapter 8
Measurement and the "Feminine" in Piers Plowman : A Response to Recent
Studies of Langland and Gender, Elizabeth Robertson; Part 4 Allegory
Reconsidered; Chapter 9 Inventing the Subject and the Personification of
Will in Piers Plowman : Rhetorical, Erotic, and Ideological Origins and
Limits in Langland's Allegorical Poetics, James J. Paxson; Chapter 10 "Nede
ne hath no lawe": Poverty and the De-stabilization of Allegory in the Final
Visions of Piers Plowman, Kathleen M. Hewett-Smith;
Legal: Piers Plowman and the Rebels of Fourteenth-Century England 1
Previous versions of this essay were presented before marvelously
challenging and encouraging audiences at the University Seminar at Columbia
University, November 11, 1997; and as a Visiting Faculty Lecturer at the
University of Illinois at Urbana-Champagne, March 8, 1998. I thank
Professors Christopher Baswell at Columbia and Lori Newcomb, Charles
Wright, and Lisa Lampert at Urbana-Champagne for these opportunities and
for their warm hospitality., Andrew Galloway; Chapter 2 The Luxury of
Gender: Piers Plowman B.9 and the Merchant's Tale 1 This essay has been
developed from our discussion of this passus and tale during a seminar at
the NEH Chaucer and Langland Institute, University of Colorado, Boulder,
July 1995. We are indebted to the directors of the Institute, C. David
Benson, Elizabeth Robertson, and James Simpson, for providing the impetus
to read Chaucer and Langland together. We thank Professor Simpson and
fellow participant Kathleen Hewett-Smith for their input at various stages
in this project. The essay first appeared in and is reprinted with
permission from the Yearbook of Langland Studies 12 (1998): 31-64., Joan
Baker, Susan Signe Morrison; Chapter 3 Langland's Romances, Stephen H. A.
Shepherd; Chapter 4 The Langland Myth, C. David Benson; Part 2 The Poetry
of Piers Plowman; Chapter 5 Langland's Mighty Line, Stephen A. Barney;
Chapter 6 Chaucer and Langland as Religious Writers, O. P. Mary Clemente
Davlin; Part 3 Through the Lens of Theory; Chapter 7 The Power of
Impropriety: Authorial Naming in Piers Plowman, James Simpson; Chapter 8
Measurement and the "Feminine" in Piers Plowman : A Response to Recent
Studies of Langland and Gender, Elizabeth Robertson; Part 4 Allegory
Reconsidered; Chapter 9 Inventing the Subject and the Personification of
Will in Piers Plowman : Rhetorical, Erotic, and Ideological Origins and
Limits in Langland's Allegorical Poetics, James J. Paxson; Chapter 10 "Nede
ne hath no lawe": Poverty and the De-stabilization of Allegory in the Final
Visions of Piers Plowman, Kathleen M. Hewett-Smith;
Introduction; Part 1 Piers Plowman in Context; Chapter 1 Making History
Legal: Piers Plowman and the Rebels of Fourteenth-Century England 1
Previous versions of this essay were presented before marvelously
challenging and encouraging audiences at the University Seminar at Columbia
University, November 11, 1997; and as a Visiting Faculty Lecturer at the
University of Illinois at Urbana-Champagne, March 8, 1998. I thank
Professors Christopher Baswell at Columbia and Lori Newcomb, Charles
Wright, and Lisa Lampert at Urbana-Champagne for these opportunities and
for their warm hospitality., Andrew Galloway; Chapter 2 The Luxury of
Gender: Piers Plowman B.9 and the Merchant's Tale 1 This essay has been
developed from our discussion of this passus and tale during a seminar at
the NEH Chaucer and Langland Institute, University of Colorado, Boulder,
July 1995. We are indebted to the directors of the Institute, C. David
Benson, Elizabeth Robertson, and James Simpson, for providing the impetus
to read Chaucer and Langland together. We thank Professor Simpson and
fellow participant Kathleen Hewett-Smith for their input at various stages
in this project. The essay first appeared in and is reprinted with
permission from the Yearbook of Langland Studies 12 (1998): 31-64., Joan
Baker, Susan Signe Morrison; Chapter 3 Langland's Romances, Stephen H. A.
Shepherd; Chapter 4 The Langland Myth, C. David Benson; Part 2 The Poetry
of Piers Plowman; Chapter 5 Langland's Mighty Line, Stephen A. Barney;
Chapter 6 Chaucer and Langland as Religious Writers, O. P. Mary Clemente
Davlin; Part 3 Through the Lens of Theory; Chapter 7 The Power of
Impropriety: Authorial Naming in Piers Plowman, James Simpson; Chapter 8
Measurement and the "Feminine" in Piers Plowman : A Response to Recent
Studies of Langland and Gender, Elizabeth Robertson; Part 4 Allegory
Reconsidered; Chapter 9 Inventing the Subject and the Personification of
Will in Piers Plowman : Rhetorical, Erotic, and Ideological Origins and
Limits in Langland's Allegorical Poetics, James J. Paxson; Chapter 10 "Nede
ne hath no lawe": Poverty and the De-stabilization of Allegory in the Final
Visions of Piers Plowman, Kathleen M. Hewett-Smith;
Legal: Piers Plowman and the Rebels of Fourteenth-Century England 1
Previous versions of this essay were presented before marvelously
challenging and encouraging audiences at the University Seminar at Columbia
University, November 11, 1997; and as a Visiting Faculty Lecturer at the
University of Illinois at Urbana-Champagne, March 8, 1998. I thank
Professors Christopher Baswell at Columbia and Lori Newcomb, Charles
Wright, and Lisa Lampert at Urbana-Champagne for these opportunities and
for their warm hospitality., Andrew Galloway; Chapter 2 The Luxury of
Gender: Piers Plowman B.9 and the Merchant's Tale 1 This essay has been
developed from our discussion of this passus and tale during a seminar at
the NEH Chaucer and Langland Institute, University of Colorado, Boulder,
July 1995. We are indebted to the directors of the Institute, C. David
Benson, Elizabeth Robertson, and James Simpson, for providing the impetus
to read Chaucer and Langland together. We thank Professor Simpson and
fellow participant Kathleen Hewett-Smith for their input at various stages
in this project. The essay first appeared in and is reprinted with
permission from the Yearbook of Langland Studies 12 (1998): 31-64., Joan
Baker, Susan Signe Morrison; Chapter 3 Langland's Romances, Stephen H. A.
Shepherd; Chapter 4 The Langland Myth, C. David Benson; Part 2 The Poetry
of Piers Plowman; Chapter 5 Langland's Mighty Line, Stephen A. Barney;
Chapter 6 Chaucer and Langland as Religious Writers, O. P. Mary Clemente
Davlin; Part 3 Through the Lens of Theory; Chapter 7 The Power of
Impropriety: Authorial Naming in Piers Plowman, James Simpson; Chapter 8
Measurement and the "Feminine" in Piers Plowman : A Response to Recent
Studies of Langland and Gender, Elizabeth Robertson; Part 4 Allegory
Reconsidered; Chapter 9 Inventing the Subject and the Personification of
Will in Piers Plowman : Rhetorical, Erotic, and Ideological Origins and
Limits in Langland's Allegorical Poetics, James J. Paxson; Chapter 10 "Nede
ne hath no lawe": Poverty and the De-stabilization of Allegory in the Final
Visions of Piers Plowman, Kathleen M. Hewett-Smith;