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'There's nothing - absolutely nothing - half so much worth doing as messing about in boats.' A spot of spring cleaning on a sunny English riverbank - so begins the adventures of four beloved friends. Follow Mole, Ratty, Toad and Badger on their journey through riverside picnics, wild woods, jailbreaks, car chases and cross-dressing amphibians to save Toad Hall from disaster and get little Mole home. Will the foursome triumph? And will everybody learn their lessons? A delightful tale of camaraderie and joy. Poop poop! A new adaptation of The Wind in the Willows, a classic children's…mehr
'There's nothing - absolutely nothing - half so much worth doing as messing about in boats.'
A spot of spring cleaning on a sunny English riverbank - so begins the adventures of four beloved friends. Follow Mole, Ratty, Toad and Badger on their journey through riverside picnics, wild woods, jailbreaks, car chases and cross-dressing amphibians to save Toad Hall from disaster and get little Mole home.
Will the foursome triumph? And will everybody learn their lessons? A delightful tale of camaraderie and joy. Poop poop!
A new adaptation of The Wind in the Willows, a classic children's novel notable for its mixture of mysticism, adventure, morality, and camaraderie and celebrated for its evocation of the nature of the River Banks.
Glyn Maxwell's plays staged in the UK and USA include The Lifeblood, which was British Theatre Guide's 'Best Play' at Edinburgh in 2004, Broken Journey and The Only Girl in the World (both Time Out Critics' Choices), and for Grosvenor Park Open Air Theatre, Merlin and the Woods of Time (2011), Masters Are You Mad? (2012) and Cyrano De Bergerac (2013). Liberty was staged at Shakespeare's Globe in 2008. His poetry has won several major prizes, and he wrote the libretto for The Firework Maker's Daughter (composed by David Bruce) which was nominated for an Olivier in 2014. Oberon publish his Plays One, Plays Two, Liberty, After Troy and The Forever Waltz, along with all his Chester plays, and the best-selling critical guidebook On Poetry, which was described by The Spectator as 'a modern classic'.
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