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Two plays made up of ten short stories that bring together the wild imaginations of school children with major writers from the North East of England. Based on the pioneering Live Tales creative writing model at Live Theatre in Newcastle, placing children's authorship at the centre of the creative process, Wintry Tales offers a series of brilliant, alternative takes on the Christmas story.
A mysterious bout of snowfall in ASDA
A wizard detective with a love of hot chocolate
A lonely polar bear seeking another sharp-toothed friend
An elf kickstarting a worker's revolution
Simple
…mehr

Produktbeschreibung
Two plays made up of ten short stories that bring together the wild imaginations of school children with major writers from the North East of England. Based on the pioneering Live Tales creative writing model at Live Theatre in Newcastle, placing children's authorship at the centre of the creative process, Wintry Tales offers a series of brilliant, alternative takes on the Christmas story.

A mysterious bout of snowfall in ASDA
A wizard detective with a love of hot chocolate
A lonely polar bear seeking another sharp-toothed friend
An elf kickstarting a worker's revolution

Simple in form but deliciously rich in ideas, these explosive dramatic works can be performed by just two actors on either a packed or empty stage. It's all about the words! And the outrageous ideas behind them...

The perfect book for anyone seeking an alternative Christmas offering, whether to read, perform or watch live onstage.

Rory Mullarkey is one of the UK's leading playwrights with a major body of work that spans The National Theatre, The Globe, The Royal Court Theatre and beyond.

Lisette Auton is a hugely prominent disabled writer, and author of the major books for children The Secret of Haven Point, The Stickleback Catchers, and Lights Up.
Autorenporträt
Rory Mullarkey's original plays include Pity, The Wolf from the Door (Royal Court Theatre), Saint George and the Dragon (Royal National Theatre), Each Slow Dusk (Pentabus Theatre/UK Tour), Cannibals, Single Sex (Royal Exchange, Manchester), The Grandfathers (National Theatre Connections, then Bristol Old Vic/National Theatre) and On the Threshing Floor (Heat & Light Company, Hampstead Theatre). His adaptations/translations include The Cherry Orchard by Anton Chekhov (Bristol Old Vic/Manchester Royal Exchange), The Oresteia by Aeschylus (Shakespeare's Globe) and Remembrance Day by Aleksey Scherbak (Royal Court). He has written the libretti for The Skating Rink by David Sawer (Garsington Opera), Coraline by Mark-Anthony Turnage (Royal Opera House) and The Way Back Home by Joanna Lee (ENO/Young Vic). He has won the Abraham Woursell Prize (co-winner 2017), the James Tait Black Prize for Drama (2014), the George Devine Award for Most Promising Playwright (co-winner, 2014), the Harold Pinter Commission for the Royal Court (2014) and the Pearson Bursary for the Royal Exchange, Manchester (2011).