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This book investigates the popularity and success of contemporary women performers in bullfighting culture, which has been framed by a discourse of 'traditionalist' masculinity.
This book investigates the popularity and success of contemporary women performers in bullfighting culture, which has been framed by a discourse of 'traditionalist' masculinity.
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Autorenporträt
Sarah Pink Lecturer in Sociology,Loughborough University
Inhaltsangabe
Part 1 Setting the scene: prologue - constructing femininity and inventing tradition; introduction - a "world of bullfighting". Part 2 Rethinking gender and bullfighting in Andalusia: slaying anthropology's goat - men, women and reputation in Andalusia; gender, bullfighting and anthropology - theorizing women bullfighters. Part 3 Detras de la Barrera? Women off stage and women creeping out from behind the scenes: wife, seductress, mother and the beautiful spectator - representations of femininities and "tradition"; active "Aficonadas" - a gendered lens on a photographic ritual. Part 4 Women performers - from the public arena to a domestic screen: gender, power and access to the arena - media, experience and representations of self; "Toreras" and "trajes" - dressing up in the names of history; breasts in the bullring - female physiology, women bullfighters and competing femininities; from ritual performance to media commodity - women performers and media events. Part 5 Conclusions: modern femininities and consuming traditions. Appendix: questions of translation and terminology.
Part 1 Setting the scene: prologue - constructing femininity and inventing tradition; introduction - a "world of bullfighting". Part 2 Rethinking gender and bullfighting in Andalusia: slaying anthropology's goat - men, women and reputation in Andalusia; gender, bullfighting and anthropology - theorizing women bullfighters. Part 3 Detras de la Barrera? Women off stage and women creeping out from behind the scenes: wife, seductress, mother and the beautiful spectator - representations of femininities and "tradition"; active "Aficonadas" - a gendered lens on a photographic ritual. Part 4 Women performers - from the public arena to a domestic screen: gender, power and access to the arena - media, experience and representations of self; "Toreras" and "trajes" - dressing up in the names of history; breasts in the bullring - female physiology, women bullfighters and competing femininities; from ritual performance to media commodity - women performers and media events. Part 5 Conclusions: modern femininities and consuming traditions. Appendix: questions of translation and terminology.
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