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This three-volume series of piano music by women composers is a progressive compendium of educational literature with a broad repertoire from the 17th century to the present day. For each piece, the editor has written short instructions with rehearsal tips as well as biographical notes on the women composers. The collection covers all levels of difficulty from easy (volume 1) to medium (volume 2) to difficult (volume 3) and is an indispensable addition to lessons and concerts.
This three-volume series of piano music by women composers is a progressive compendium of educational literature with a broad repertoire from the 17th century to the present day. For each piece, the editor has written short instructions with rehearsal tips as well as biographical notes on the women composers. The collection covers all levels of difficulty from easy (volume 1) to medium (volume 2) to difficult (volume 3) and is an indispensable addition to lessons and concerts.
Melanie Spanswick – pianist, author, teacher, and composer – graduated from the Royal College of Music with a Master's degree in Performance Studies. Melanie is a widely experienced examiner and adjudicator, and frequently gives master classes, workshops and presentations throughout the UK and internationally. As a pianist, she has performed and broadcast worldwide. Melanie has written and edited piano books for the international market, to critical acclaim. She is a regular contributor to Pianist magazine and Piano Professional (EPTA), and her piano compositions have been featured in various publications and included on many music festival syllabuses.
Inhaltsangabe
Musical Terms - Preface - Marianna von Martinez (1744–1812): Allegro - Chiquinha Gonzaga (1847–1935): Atraente - Amy Beach (1867–1944): Sous les étoiles - Lili Boulanger (1893–1918): Prélude in Db major - Tatjana Komarova (*1968): Little Dance - Mai Fukasawa (*1977): Between Dawn, Noon and Midnight - Fanny Hensel (1805–1847): September - Clara Schumann (1819–1896): Prelude and Fugue - Teresa Carreño (1853–1917): Plainte - Lady Viola Kinney (1890–1945): Mother's Sacrifice - Vítězslava Kaprálová (1915–1940): April - Chaya Czernowin (*1957): fardanceCLOSEers
Musical Terms - Preface - Marianna von Martinez (1744-1812): Allegro - Chiquinha Gonzaga (1847-1935): Atraente - Amy Beach (1867-1944): Sous les étoiles - Lili Boulanger (1893-1918): Prélude in Db major - Tatjana Komarova (_1968): Little Dance - Mai Fukasawa (_1977): Between Dawn, Noon and Midnight - Fanny Hensel (1805-1847): September - Clara Schumann (1819-1896): Prelude and Fugue - Teresa Carreño (1853-1917): Plainte - Lady Viola Kinney (1890-1945): Mother's Sacrifice - Vítezslava Kaprálová (1915-1940): April - Chaya Czernowin (_1957): fardance
Musical Terms - Preface - Marianna von Martinez (1744–1812): Allegro - Chiquinha Gonzaga (1847–1935): Atraente - Amy Beach (1867–1944): Sous les étoiles - Lili Boulanger (1893–1918): Prélude in Db major - Tatjana Komarova (*1968): Little Dance - Mai Fukasawa (*1977): Between Dawn, Noon and Midnight - Fanny Hensel (1805–1847): September - Clara Schumann (1819–1896): Prelude and Fugue - Teresa Carreño (1853–1917): Plainte - Lady Viola Kinney (1890–1945): Mother's Sacrifice - Vítězslava Kaprálová (1915–1940): April - Chaya Czernowin (*1957): fardanceCLOSEers
Musical Terms - Preface - Marianna von Martinez (1744-1812): Allegro - Chiquinha Gonzaga (1847-1935): Atraente - Amy Beach (1867-1944): Sous les étoiles - Lili Boulanger (1893-1918): Prélude in Db major - Tatjana Komarova (_1968): Little Dance - Mai Fukasawa (_1977): Between Dawn, Noon and Midnight - Fanny Hensel (1805-1847): September - Clara Schumann (1819-1896): Prelude and Fugue - Teresa Carreño (1853-1917): Plainte - Lady Viola Kinney (1890-1945): Mother's Sacrifice - Vítezslava Kaprálová (1915-1940): April - Chaya Czernowin (_1957): fardance
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