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In 1999, poet and novelist Madeleine Gagnon undertook to document the experience of women in the many war zones at the end of a "century of ashes" through their own eyes and in their own words. Her record of those encounters boldly confronts the harshest realities of and asks the most difficult questions about not only the horrors of war, but also the quest for justice, the experience of love and compassion, the inextinguishable hope for the future, and the will to live-the humanity that endures against all odds.
Travelling to Macedonia, Kosovo, Bosnia, Israel, Palestine, Lebanon, Pakistan,
…mehr

Produktbeschreibung
In 1999, poet and novelist Madeleine Gagnon undertook to document the experience of women in the many war zones at the end of a "century of ashes" through their own eyes and in their own words. Her record of those encounters boldly confronts the harshest realities of and asks the most difficult questions about not only the horrors of war, but also the quest for justice, the experience of love and compassion, the inextinguishable hope for the future, and the will to live-the humanity that endures against all odds.

Travelling to Macedonia, Kosovo, Bosnia, Israel, Palestine, Lebanon, Pakistan, and Sri Lanka, Gagnon talked with women of all ages and social classes: those who fought side-by-side with men in wars of independence; who suffered terrible abuse in war; who lost their men, their homes, their children, their entire families; women working to heal the survivors, and those involved in different peace movements. She explores why women themselves have not found a way to put an end to war, why they continue, from generation to generation, to raise sons who make war and oppress women, what stake women themselves might have in war. And she dares to look within herself for the answers to these questions and for the roots of all conflict, war, and destruction. Elle magazine of France described this book as "sublime ... a long, strange poem that recalls the work of such giants of literary journalism as V.S. Naipaul and Ryszard Kapuscinski.


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Autorenporträt
Madeleine Gagnon has made a mark on Quebec literature as a poet, novelist, and non-fiction writer. Born in Amqui, a little village in the Matapedia Valley on Quebec's Gaspé Peninsula, she decided at the age of twelve to be a writer, and after her early education with the Ursuline nuns, went on to study literature, philosophy, and psychoanalysis at the Université de Montréal, the Sorbonne, and the Université d'Aix-en-Provence, where she received her doctorate. Since 1969, she has published over thirty books while at the same time teaching literature in several Quebec universities.

Her work in all genres combines passion, lucidity, erudition, poetic vision, and political commitment, boldly transgressing the boundaries between poetry and prose. Among her many awards are the prestigious Athanase-David Prize (2002) for her lifetime body of work, the Governor General's Award for Poetry (1990) for Chant pour un Québec lointain (translated by Howard Scott as Song for a Far Quebec), and the Journal de Montréal Prize (1986) for Les Fleurs du catalpa. Her work has also won international recognition, with many publications in France and some fifteen translations into English, Spanish and Italian. Nancy Huston has described Madeleine Gagnon as someone in whom the boundary between inner and outer life is porous; her words are poetry and her ear for the words of others is poetry too. Everything she takes in from the world is filtered, processed, transformed by the insistent rhythms of the songs within her.