Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
Women in Jazz: Musicality, Femininity, Marginalization examines the invisible discrimination against female musicians in the French jazz world and the ways women thrive as professionals despite such conditions.
Women in Jazz: Musicality, Femininity, Marginalization examines the invisible discrimination against female musicians in the French jazz world and the ways women thrive as professionals despite such conditions.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Marie Buscatto is Professor in Sociology at the University of Paris 1 Panthéon-Sorbonne in Paris, France.
Inhaltsangabe
1. A saturated and hierarchized professional world PART ONE: Jazz singer: Such a "feminine" job 2. Vocal jazz, commercial jazz, gendered jazz 3. So "feminine" in such a "masculine" world 4. The voice is not an instrument 5. An irresistible "feminine" seduction 6. Amateur vocal jams: An illusory gendered transgression? PART TWO: Some "great chicks" 7. Very "well-endowed" young women 8. Difficult access to stable working networks 9. Women in a man's world: Reconciling the irreconcilable? 10. Managing one's "femininity" in public: Disparagement, neutrality or seduction?
1. A saturated and hierarchized professional world / PART ONE: Jazz singer: Such a "feminine" job / 2. Vocal jazz, commercial jazz, gendered jazz / 3. So "feminine" in such a "masculine" world / 4.The voice is not an instrument / 5. An irresistible "feminine" seduction / 6. Amateur vocal jams: An illusory gendered transgression? / PART TWO: Some "great chicks" / 7. Very "well-endowed" young women / 8.Difficult access to stable working networks / 9. Women in a man's world: Reconciling the irreconcilable? / 10. Managing one's "femininity" in public: Disparagement, neutrality or seduction?
1. A saturated and hierarchized professional world PART ONE: Jazz singer: Such a "feminine" job 2. Vocal jazz, commercial jazz, gendered jazz 3. So "feminine" in such a "masculine" world 4. The voice is not an instrument 5. An irresistible "feminine" seduction 6. Amateur vocal jams: An illusory gendered transgression? PART TWO: Some "great chicks" 7. Very "well-endowed" young women 8. Difficult access to stable working networks 9. Women in a man's world: Reconciling the irreconcilable? 10. Managing one's "femininity" in public: Disparagement, neutrality or seduction?
1. A saturated and hierarchized professional world / PART ONE: Jazz singer: Such a "feminine" job / 2. Vocal jazz, commercial jazz, gendered jazz / 3. So "feminine" in such a "masculine" world / 4.The voice is not an instrument / 5. An irresistible "feminine" seduction / 6. Amateur vocal jams: An illusory gendered transgression? / PART TWO: Some "great chicks" / 7. Very "well-endowed" young women / 8.Difficult access to stable working networks / 9. Women in a man's world: Reconciling the irreconcilable? / 10. Managing one's "femininity" in public: Disparagement, neutrality or seduction?
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
