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New perspectives on women, periodicals and print culture in Victorian Britain by experts in media, literary and cultural historyThe period covered in this volume witnessed the proliferation of print culture and the greater availability of periodicals for an increasingly diverse audience of women readers. This was also a significant period in women's history, in which the 'Woman Question' dominated public debate, and writers and commentators from a range of perspectives engaged with ideas and ideals about womanhood ranging from the 'Angel in the House' to the New Woman. Essays in this…mehr

Produktbeschreibung
New perspectives on women, periodicals and print culture in Victorian Britain by experts in media, literary and cultural historyThe period covered in this volume witnessed the proliferation of print culture and the greater availability of periodicals for an increasingly diverse audience of women readers. This was also a significant period in women's history, in which the 'Woman Question' dominated public debate, and writers and commentators from a range of perspectives engaged with ideas and ideals about womanhood ranging from the 'Angel in the House' to the New Woman. Essays in this collection gather together expertise from leading scholars as well as emerging new voices in order to produce sustained analysis of underexplored periodicals and authors and to reveal in new ways the dynamic and integral relationship between women's history and print culture in Victorian society. Key FeaturesPresents 35 thematically organised, research-led essays on women, periodicals and print culture in Victorian BritainFeatures cutting-edge work by senior and early career scholars working across a range of specialist fields, including literary and periodical studies, material culture studies, cultural history, art history and women's historyExtends recent scholarship on the Victorian press by revealing the diversity and complexity of women's interactions with periodical culture in Victorian Britain - as readers, authors, journalists, editors, engravers, illustrators, and correspondentsEnvisaged as an indispensable resource for students and specialists interested in new developments in periodical studies, the Victorian period, and women and cultural history

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Autorenporträt
Alexis Easley is Professor of English at the University of St. Thomas in St. Paul, Minnesota. She is the author of First-Person Anonymous: Women Writers and Victorian Print Media, 1830-70 (2004) and Literary Celebrity, Gender, and Victorian Authorship, 1850-1914 (2011). She has also co-edited four books, most recently Women, Periodicals, and Print Culture in Britain, 1830s-1900s, with Clare Gill and Beth Rodgers (2019). Her most recent book publication is New Media and the Rise of the Popular Woman Writer, 1832-60 (2021). This project was a 2019 recipient of the Linda H. Peterson Prize awarded by the Research Society for Victorian Periodicals. She is currently at work on a biography of Eliza Cook. Clare Gill is Lecturer in Victorian Literature at the University of St Andrews. She is the author of Olive Schreiner and the Politics of Print (forthcoming, Edinburgh University Press), General Editor of The Edinburgh Edition of the Works of Olive Schreiner (forthcoming, Edinburgh University Press) and volume editor of Olive Schreiner's Trooper Peter Halket of Mashonaland and Selected Journalism (forthcoming, Edinburgh University Press). Beth Rodgers is Senior Lecturer in Nineteenth-Century Literature at Aberystwyth University, Wales, UK. She is the author of Adolescent Girlhood and Literary Culture at the Fin de Siècle: Daughters of Today (Palgrave, 2016), which received Special Mention in the University English Book Prize in 2017, and co-editor of Women, Periodicals and Print Culture in Britain, 1830s-1900s (Edinburgh University Press, 2019) and Children's Literature on the Move: Nations, Translations, Migrations (Four Courts, 2013). She has also published widely on the Irish author, L.T. Meade.