Peter Parolin

Women Players in England, 1500-1660 (eBook, PDF)

Beyond the All-Male Stage
Redaktion: Brown, Pamela Allen

• Format: PDF

Produktbeschreibung

Offering evidence of women's extensive contributions to the theatrical landscape, this volume sharply challenges the assumption that the stage was "all male" in early modern England. The editors and contributors argue that the pervasiveness of female performance affected cultural production, even on the professional London stages that used men and boys for women's parts. In short, Women Players in England 1500-1660 shows that women were dynamic cultural players in the early modern world.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 348
• Erscheinungstermin: 4. Juni 2019
• Englisch
• ISBN-13: 9781351871853
• Artikelnr.: 56940499

Autorenporträt

Pamela Allen Brown is an Associate Professor of English at the University of Connecticut, Stamford, USA . Peter Parolin is an Associate Professor of English at the University of Wyoming, USA.

Inhaltsangabe

Contents: Introduction
Pamela Allen Brown and Peter Parolin. Part I Beyond London: Women and performance: evidences of universal cultural suffrage in medieval and early modern Lincolnshire
James Stokes; Payments
permits and punishments: women performers and the politics of place
Gweno Williams
Alison Findlay and Stephanie Hodgson-Wright. Part II Beyond Elites: The case of Moll Frith: women's work and the 'all-male stage'
Natasha Korda; 'Quacking Delilah's': female Mountebanks in early modern England and Italy
Bella Mirabella. Part III Beyond the Channel: Reading the actress in Commedia imagery
M.A. Katritzky; 'Merry
nimble
stirring spirit[s]': academic
salon and Commedia dell'arte influence on the Innamorate in Love's Labour's Lost
Julie D. Campbell; Women performing homoerotic desire in English and Italian comedy: La Calandria
Gl'Ingannati and Twelfth Night
Rachel Poulsen; Courtly comédiantes: Henrietta Maria and amateur women's stage plays in France and England
Melinda J. Gough. Part IV Beyond the Stage: The Venetian theater of Aletheia Talbot
Countess of Arundel
Peter Parolin; 'Pleaders
atturneys
petitioners and the like': Margaret Cavendish and the dramatic petition
Julie Crawford. Part V Beyond the 'All-Male': Staging the absent woman: the theatrical evocation of Elizabeth Tudor in Heywood's If You Know Not Me
You Know Nobody
Part I
Jean E. Howard; Female impersonation in early modern ballads
Bruce R. Smith; Jesting rights: women players in the manuscript jestbook of Sir Nicholas Le Strange
Pamela Allen Brown. Afterword
Phyllis Rackin; Index.