Holledge and Tompkins provide ways of thinking about and analysing contemporary performance and representations of the performing, female, culturally-marked body. The book includes discussions of:
* ritual performance by women from Central Australia and Korea
* the cultural exchange of A Doll's House and Antigone
* plays from Algeria, South Africa and Ghana
* the work of the Takarazuka revue company
* the market forces that govern the distribution of women and women's performance.
This is an essential read for anyone studying or interested in women's performance.
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