Chapter 1 investigates Joyce's reappropriation of preexistent elements, situates his work in relation to various myth-oriented literatures, and parallels aspects of his authorship with the roles of the Irish filí and druids.
Chapter 2 explores how the returns of myth in Finnegans Wake depend upon felicitous states of knowledge-deficiency. Joyce's readers must use their imaginations to make sense of the difficult text much in the way that Vico's ignorant 'first people' created gods to explain their world.
Chapter 3 discusses Joyce's affinity with James Clarence Mangan regarding Irish tradition, and also differentiates Joyce's work from the project of the Irish Literary Revival.
Chapter 4 examines the dichotomy between orality and writing in Finnegans Wake. The fox of Irish fables becomes an allegory for the poet who mediates between oral culture and tradition-binding literature.
Lastly, Chapter 5 discusses themes of plagiarism and piracy in Finnegans Wake, noting that the appropriation of readymade materials is often considered criminal in the present age.
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