World Cinema and the Visual Arts (eBook, PDF)
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World Cinema and the Visual Arts (eBook, PDF)
Redaktion: Gallagher, David
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'World Cinema and the Visual Arts' combines new analyses of two subjects of ongoing research in the field of humanities: cinema and the visual arts. The films analysed encompass a wide geographical base, and have been drawn from a diverse array of cultural traditions.
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'World Cinema and the Visual Arts' combines new analyses of two subjects of ongoing research in the field of humanities: cinema and the visual arts. The films analysed encompass a wide geographical base, and have been drawn from a diverse array of cultural traditions.
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Produktdetails
- Produktdetails
- Verlag: Anthem Press
- Seitenzahl: 202
- Erscheinungstermin: 1. Februar 2012
- Englisch
- ISBN-13: 9781843313861
- Artikelnr.: 49419326
- Verlag: Anthem Press
- Seitenzahl: 202
- Erscheinungstermin: 1. Februar 2012
- Englisch
- ISBN-13: 9781843313861
- Artikelnr.: 49419326
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
David Gallagher is the German subfield editor for the ‘Eighteenth Century Current Bibliography’.
Preface; Notes on Contributors; List of Figures; Introduction; Chapter 1. Projecting a More Habitable Globe: Hollywood’s Yellow Peril and Its Refraction onto 1930s Shanghai National Cinema
Lily Wong; Chapter 2. Berlin – The City of Sound and Sensation in Fritz Lang’s ‘M’ and E. A. Dupont’s ‘Varieté’
Isa Murdock
Hinrichs; Chapter 3. Bond’s Body: ‘Diamonds Are Forever’, ‘Casino Royale’ and the Future Anterior
Shelton Waldrep; Chapter 4. Whatever You Say, Say Nothing
Anna Zaluczkowska; Chapter 5. Imperial Gazes, Hollywood Predators: A Cinema of Molestation in Postcolonial Indian Literature
Jerod Ra’Del Hollyfield; Chapter 6. Linguistic Identity in Fruit Chan’s 1997 Trilogy
Howard Y. F. Choy; Chapter 7. The Postnational and the Aesthetics of the Spectral: Hou Hsiao
Hsien’s ‘Flight of the Red Balloon’
Je Cheol Park; Chapter 8. The Art Object as Text in the Practice of Comparative Visuality
Jane Chin Davidson; Chapter 9. Exploring In
humanity: Gertrude Stein’s ‘Tender Buttons’ and Still
Life Painting
Nandini Ramesh Sankar; Chapter 10. Re
defining Art: Manuel Rivas’ ‘Mujer en el baño’
Ana
María Medina; Chapter 11. Re
envisioning the Haunting Past: Kara Walker’s Art and the Re
appropriation of the Visual Codes of the Antebellum South
Minna Niemi; Bibliography; Index
Lily Wong; Chapter 2. Berlin – The City of Sound and Sensation in Fritz Lang’s ‘M’ and E. A. Dupont’s ‘Varieté’
Isa Murdock
Hinrichs; Chapter 3. Bond’s Body: ‘Diamonds Are Forever’, ‘Casino Royale’ and the Future Anterior
Shelton Waldrep; Chapter 4. Whatever You Say, Say Nothing
Anna Zaluczkowska; Chapter 5. Imperial Gazes, Hollywood Predators: A Cinema of Molestation in Postcolonial Indian Literature
Jerod Ra’Del Hollyfield; Chapter 6. Linguistic Identity in Fruit Chan’s 1997 Trilogy
Howard Y. F. Choy; Chapter 7. The Postnational and the Aesthetics of the Spectral: Hou Hsiao
Hsien’s ‘Flight of the Red Balloon’
Je Cheol Park; Chapter 8. The Art Object as Text in the Practice of Comparative Visuality
Jane Chin Davidson; Chapter 9. Exploring In
humanity: Gertrude Stein’s ‘Tender Buttons’ and Still
Life Painting
Nandini Ramesh Sankar; Chapter 10. Re
defining Art: Manuel Rivas’ ‘Mujer en el baño’
Ana
María Medina; Chapter 11. Re
envisioning the Haunting Past: Kara Walker’s Art and the Re
appropriation of the Visual Codes of the Antebellum South
Minna Niemi; Bibliography; Index
Preface; Notes on Contributors; List of Figures; Introduction; Chapter 1. Projecting a More Habitable Globe: Hollywood’s Yellow Peril and Its Refraction onto 1930s Shanghai National Cinema
Lily Wong; Chapter 2. Berlin – The City of Sound and Sensation in Fritz Lang’s ‘M’ and E. A. Dupont’s ‘Varieté’
Isa Murdock
Hinrichs; Chapter 3. Bond’s Body: ‘Diamonds Are Forever’, ‘Casino Royale’ and the Future Anterior
Shelton Waldrep; Chapter 4. Whatever You Say, Say Nothing
Anna Zaluczkowska; Chapter 5. Imperial Gazes, Hollywood Predators: A Cinema of Molestation in Postcolonial Indian Literature
Jerod Ra’Del Hollyfield; Chapter 6. Linguistic Identity in Fruit Chan’s 1997 Trilogy
Howard Y. F. Choy; Chapter 7. The Postnational and the Aesthetics of the Spectral: Hou Hsiao
Hsien’s ‘Flight of the Red Balloon’
Je Cheol Park; Chapter 8. The Art Object as Text in the Practice of Comparative Visuality
Jane Chin Davidson; Chapter 9. Exploring In
humanity: Gertrude Stein’s ‘Tender Buttons’ and Still
Life Painting
Nandini Ramesh Sankar; Chapter 10. Re
defining Art: Manuel Rivas’ ‘Mujer en el baño’
Ana
María Medina; Chapter 11. Re
envisioning the Haunting Past: Kara Walker’s Art and the Re
appropriation of the Visual Codes of the Antebellum South
Minna Niemi; Bibliography; Index
Lily Wong; Chapter 2. Berlin – The City of Sound and Sensation in Fritz Lang’s ‘M’ and E. A. Dupont’s ‘Varieté’
Isa Murdock
Hinrichs; Chapter 3. Bond’s Body: ‘Diamonds Are Forever’, ‘Casino Royale’ and the Future Anterior
Shelton Waldrep; Chapter 4. Whatever You Say, Say Nothing
Anna Zaluczkowska; Chapter 5. Imperial Gazes, Hollywood Predators: A Cinema of Molestation in Postcolonial Indian Literature
Jerod Ra’Del Hollyfield; Chapter 6. Linguistic Identity in Fruit Chan’s 1997 Trilogy
Howard Y. F. Choy; Chapter 7. The Postnational and the Aesthetics of the Spectral: Hou Hsiao
Hsien’s ‘Flight of the Red Balloon’
Je Cheol Park; Chapter 8. The Art Object as Text in the Practice of Comparative Visuality
Jane Chin Davidson; Chapter 9. Exploring In
humanity: Gertrude Stein’s ‘Tender Buttons’ and Still
Life Painting
Nandini Ramesh Sankar; Chapter 10. Re
defining Art: Manuel Rivas’ ‘Mujer en el baño’
Ana
María Medina; Chapter 11. Re
envisioning the Haunting Past: Kara Walker’s Art and the Re
appropriation of the Visual Codes of the Antebellum South
Minna Niemi; Bibliography; Index