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Outside of the capital London, no other British city has attracted more film-makers than Liverpool. Sometimes standing in for London, New York, Chicago, Paris, Rome or Moscow, and sometimes playing itself - or a version of its own past in Beatles biopics - Liverpool is an adaptable filmic backdrop that has attracted film-makers to its ports for decades. A place of passion, humour and pride, Liverpool evokes caverns and cathedrals, ferries and football grounds; it is a city so vivid we see it clearly even if we've never been there. From the earliest makers of moving images - among them the…mehr

Produktbeschreibung
Outside of the capital London, no other British city has attracted more film-makers than Liverpool. Sometimes standing in for London, New York, Chicago, Paris, Rome or Moscow, and sometimes playing itself - or a version of its own past in Beatles biopics - Liverpool is an adaptable filmic backdrop that has attracted film-makers to its ports for decades. A place of passion, humour and pride, Liverpool evokes caverns and cathedrals, ferries and football grounds; it is a city so vivid we see it clearly even if we've never been there. From the earliest makers of moving images - among them the Mitchell & Kenyon film company, the Lumière brothers and pioneering early cinematographer Claude Friese-Greene - who preserved the city, the river, the docks, the streets and the people, Liverpool has endured as a cinematic destination. This collection celebrates that survival instinct and will be welcomed by enthusiasts of British cities, films and culture.


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Autorenporträt
Jez Conolly is the faculty librarian for arts, social sciences, and law at the University of Bristol. She is the author of Beached Margin: The Role and Representation of the Seaside Resort in British Films and a regular contributor to Big Picture magazine. Caroline Whelan is an independent writer and researcher. Together, they are coeditors of the World Film Locations: Dublin and World Film Locations: Reykjavik, both also published by Intellect.