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With extraordinary transnational and transdisciplinary range, World Literature, Transnational Cinema, and Global Media comprehensively explores the genealogies, vocabularies, and concepts orienting the fields within literature, cinema and media studies.
With extraordinary transnational and transdisciplinary range, World Literature, Transnational Cinema, and Global Media comprehensively explores the genealogies, vocabularies, and concepts orienting the fields within literature, cinema and media studies.
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Autorenporträt
Robert Stam is University Professor at New York University. His books include François Truffaut and Friends; Literature through Film; Film Theory: An Introduction; and (with Ella Shohat) Unthinking Eurocentrism and Race in Translation. With work translated into sixteen languages, he has taught in France, Brazil, Tunisia, Germany, and the UAE.
Inhaltsangabe
Introduction: The Terms of Debate Goethe and Weltliteratur The Theory of World Literature From World Literature to Alternative Modernisms The Cosmopolitanism of the Periphery Columbus, El Nuevo Mundo, and Postcolonial Studies French Postcoloniality and Litterature-Monde Sibling Disciplines: Literary Studies and Cinema Studies From Literature to Film: A Study in Ambivalence The Cinema and the World Literature Canon The Gains of (Film) Translation Adaptation, Remix, and the Cultural Commons From Adaptation to Remix World Cinema: The Pre-Hisory The Theory of World Cinema World Music and the Commons Transmedial Music in Latin America The Transnational Turn Transnational Cinema The Coefficient of Transnationality Transnational Reception, Gender, and Aesthetics Transnational Film Schools and Pedagogy The Rise of the "Woods": From Hollywood to Nollywood via Bollywood Globalization, Political Economy, and the Media Acquatic Tropologies Technologies of Intermedial Flow Globalization: The Mediatic Resistance Transoceanic Currents: the Red, Black, and White Atlantic Global Indigeneity and the Transnational Gaze The Media's "Deep Time" and the Planetary Commons The Commons and the Globalized Citizen Terminological Reflections Toward a "Trans" Methodology
Introduction: The Terms of Debate Goethe and Weltliteratur The Theory of World Literature From World Literature to Alternative Modernisms The Cosmopolitanism of the Periphery Columbus, El Nuevo Mundo, and Postcolonial Studies French Postcoloniality and Litterature-Monde Sibling Disciplines: Literary Studies and Cinema Studies From Literature to Film: A Study in Ambivalence The Cinema and the World Literature Canon The Gains of (Film) Translation Adaptation, Remix, and the Cultural Commons From Adaptation to Remix World Cinema: The Pre-Hisory The Theory of World Cinema World Music and the Commons Transmedial Music in Latin America The Transnational Turn Transnational Cinema The Coefficient of Transnationality Transnational Reception, Gender, and Aesthetics Transnational Film Schools and Pedagogy The Rise of the "Woods": From Hollywood to Nollywood via Bollywood Globalization, Political Economy, and the Media Acquatic Tropologies Technologies of Intermedial Flow Globalization: The Mediatic Resistance Transoceanic Currents: the Red, Black, and White Atlantic Global Indigeneity and the Transnational Gaze The Media's "Deep Time" and the Planetary Commons The Commons and the Globalized Citizen Terminological Reflections Toward a "Trans" Methodology
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