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Writing and Other Familiar Things: Autoethnographic Possibilities puts on display a number of distinct ways of structuring essays that can used in qualitative research and creative writing.
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Writing and Other Familiar Things: Autoethnographic Possibilities puts on display a number of distinct ways of structuring essays that can used in qualitative research and creative writing.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 184
- Erscheinungstermin: 11. März 2025
- Englisch
- ISBN-13: 9781040324950
- Artikelnr.: 73144068
- Verlag: Taylor & Francis
- Seitenzahl: 184
- Erscheinungstermin: 11. März 2025
- Englisch
- ISBN-13: 9781040324950
- Artikelnr.: 73144068
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Ronald J. Pelias is a Professor Emeritus from Southern Illinois University, Carbondale. His most recent books are The Creative Qualitative Researcher and Lessons on Aging and Dying.
Preface: A Hermit Crab Introduction PART I: WRITING 1. Pertaining to
Writing 2. Writing with Uncertainty and Hope 3. A Menagerie of Writing
Possibilities: Getting It Right 4. Epigraphs for Writers Considering Errors
5. Telling Secrets 6. What Can Writing Do? 7. Some Things I Remember about
Memory and Writing 8. Still Going at It: Creative Longevity as a Desire for
the Unobtainable 9. Thirteen Ars Poeticas Following Wallace Stevens PART
II: OTHER FAMILIAR THINGS 10. Selling Sea Shells: A Narrative Conchology
11. The Hands' Methods: An Embodied Practice 12. Negotiated Conundrums:
Creative-Relational Inquiry 13. Masks: Always Becoming 14. An Old Man
Stands in Front of the Class: Vignettes 15. Contact and the COVID-19
Pandemic of 2020-23: An Ongoing History 16. Together, Everyday: A Composite
Ethnodrama 17. Telling on Partners: Fictive Monologues 18. Hats: A Tailored
Memoir 19. Digging the Garden: Posthumanist Disappointments, Puzzles, and
Pleasures 20. Mom and Dad's Letters: An Epistolary Speculation 21. Aging
and That Old Thing, the Body: A Lyric Assessment 22. Finding my Way into
Resistance: Political Desires 23. Those Barnacles: A Metaphoric Argument
24. An Eye on Hope: A Series of Personal Pronouncements 25. Writing into
Hope: A Blended Autoethnography Afterward: The Book's Eulogy
Writing 2. Writing with Uncertainty and Hope 3. A Menagerie of Writing
Possibilities: Getting It Right 4. Epigraphs for Writers Considering Errors
5. Telling Secrets 6. What Can Writing Do? 7. Some Things I Remember about
Memory and Writing 8. Still Going at It: Creative Longevity as a Desire for
the Unobtainable 9. Thirteen Ars Poeticas Following Wallace Stevens PART
II: OTHER FAMILIAR THINGS 10. Selling Sea Shells: A Narrative Conchology
11. The Hands' Methods: An Embodied Practice 12. Negotiated Conundrums:
Creative-Relational Inquiry 13. Masks: Always Becoming 14. An Old Man
Stands in Front of the Class: Vignettes 15. Contact and the COVID-19
Pandemic of 2020-23: An Ongoing History 16. Together, Everyday: A Composite
Ethnodrama 17. Telling on Partners: Fictive Monologues 18. Hats: A Tailored
Memoir 19. Digging the Garden: Posthumanist Disappointments, Puzzles, and
Pleasures 20. Mom and Dad's Letters: An Epistolary Speculation 21. Aging
and That Old Thing, the Body: A Lyric Assessment 22. Finding my Way into
Resistance: Political Desires 23. Those Barnacles: A Metaphoric Argument
24. An Eye on Hope: A Series of Personal Pronouncements 25. Writing into
Hope: A Blended Autoethnography Afterward: The Book's Eulogy
Preface: A Hermit Crab Introduction PART I: WRITING 1. Pertaining to
Writing 2. Writing with Uncertainty and Hope 3. A Menagerie of Writing
Possibilities: Getting It Right 4. Epigraphs for Writers Considering Errors
5. Telling Secrets 6. What Can Writing Do? 7. Some Things I Remember about
Memory and Writing 8. Still Going at It: Creative Longevity as a Desire for
the Unobtainable 9. Thirteen Ars Poeticas Following Wallace Stevens PART
II: OTHER FAMILIAR THINGS 10. Selling Sea Shells: A Narrative Conchology
11. The Hands' Methods: An Embodied Practice 12. Negotiated Conundrums:
Creative-Relational Inquiry 13. Masks: Always Becoming 14. An Old Man
Stands in Front of the Class: Vignettes 15. Contact and the COVID-19
Pandemic of 2020-23: An Ongoing History 16. Together, Everyday: A Composite
Ethnodrama 17. Telling on Partners: Fictive Monologues 18. Hats: A Tailored
Memoir 19. Digging the Garden: Posthumanist Disappointments, Puzzles, and
Pleasures 20. Mom and Dad's Letters: An Epistolary Speculation 21. Aging
and That Old Thing, the Body: A Lyric Assessment 22. Finding my Way into
Resistance: Political Desires 23. Those Barnacles: A Metaphoric Argument
24. An Eye on Hope: A Series of Personal Pronouncements 25. Writing into
Hope: A Blended Autoethnography Afterward: The Book's Eulogy
Writing 2. Writing with Uncertainty and Hope 3. A Menagerie of Writing
Possibilities: Getting It Right 4. Epigraphs for Writers Considering Errors
5. Telling Secrets 6. What Can Writing Do? 7. Some Things I Remember about
Memory and Writing 8. Still Going at It: Creative Longevity as a Desire for
the Unobtainable 9. Thirteen Ars Poeticas Following Wallace Stevens PART
II: OTHER FAMILIAR THINGS 10. Selling Sea Shells: A Narrative Conchology
11. The Hands' Methods: An Embodied Practice 12. Negotiated Conundrums:
Creative-Relational Inquiry 13. Masks: Always Becoming 14. An Old Man
Stands in Front of the Class: Vignettes 15. Contact and the COVID-19
Pandemic of 2020-23: An Ongoing History 16. Together, Everyday: A Composite
Ethnodrama 17. Telling on Partners: Fictive Monologues 18. Hats: A Tailored
Memoir 19. Digging the Garden: Posthumanist Disappointments, Puzzles, and
Pleasures 20. Mom and Dad's Letters: An Epistolary Speculation 21. Aging
and That Old Thing, the Body: A Lyric Assessment 22. Finding my Way into
Resistance: Political Desires 23. Those Barnacles: A Metaphoric Argument
24. An Eye on Hope: A Series of Personal Pronouncements 25. Writing into
Hope: A Blended Autoethnography Afterward: The Book's Eulogy