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Writing Audio Drama offers a comprehensive and intelligent guide to writing sound drama for broadcasting and online. This book uses original research on the history of writing radio plays in the UK and USA to explore how this has informed and developed the art form for more than 100 years.
Writing Audio Drama offers a comprehensive and intelligent guide to writing sound drama for broadcasting and online. This book uses original research on the history of writing radio plays in the UK and USA to explore how this has informed and developed the art form for more than 100 years.
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Autorenporträt
Tim Crook is an author, playwright, journalist, and academic who pioneered British independent production in audio drama in the 1980s and 1990s with UK co-productions with NPR in the USA, and new writing festivals and competitions.
Inhaltsangabe
Chapter 1 Radio Drama is Born and In Its Cradle Chapter 2 The Psychology of Writing and Listening Chapter 3 Instrumental utilitarianism in radio playwriting- the evolving thoughts of Val Gielgud Chapter 4 Achieving the Long Form Audio Drama Chapter 5 Beginning the Sound Story Chapter 6 Characterising the Sound Story Chapter 7 Dialogue and the Sound Story Chapter 8 Sustaining the Sound Story Chapter 9 Plotting the Sound Story Chapter 10 Ending the Sound Story Chapter 11 Film, Internet and Stage dimensions to Sound Story Telling
Chapter 1 Radio Drama is Born and In Its Cradle
Chapter 2 The Psychology of Writing and Listening
Chapter 3 Instrumental utilitarianism in radio playwriting- the evolving thoughts of Val Gielgud
Chapter 4 Achieving the Long Form Audio Drama
Chapter 5 Beginning the Sound Story
Chapter 6 Characterising the Sound Story
Chapter 7 Dialogue and the Sound Story
Chapter 8 Sustaining the Sound Story
Chapter 9 Plotting the Sound Story
Chapter 10 Ending the Sound Story
Chapter 11 Film, Internet and Stage dimensions to Sound Story Telling
Chapter 1 Radio Drama is Born and In Its Cradle Chapter 2 The Psychology of Writing and Listening Chapter 3 Instrumental utilitarianism in radio playwriting- the evolving thoughts of Val Gielgud Chapter 4 Achieving the Long Form Audio Drama Chapter 5 Beginning the Sound Story Chapter 6 Characterising the Sound Story Chapter 7 Dialogue and the Sound Story Chapter 8 Sustaining the Sound Story Chapter 9 Plotting the Sound Story Chapter 10 Ending the Sound Story Chapter 11 Film, Internet and Stage dimensions to Sound Story Telling
Chapter 1 Radio Drama is Born and In Its Cradle
Chapter 2 The Psychology of Writing and Listening
Chapter 3 Instrumental utilitarianism in radio playwriting- the evolving thoughts of Val Gielgud
Chapter 4 Achieving the Long Form Audio Drama
Chapter 5 Beginning the Sound Story
Chapter 6 Characterising the Sound Story
Chapter 7 Dialogue and the Sound Story
Chapter 8 Sustaining the Sound Story
Chapter 9 Plotting the Sound Story
Chapter 10 Ending the Sound Story
Chapter 11 Film, Internet and Stage dimensions to Sound Story Telling
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